No, it's an extraordinary misunderstanding.Your hypothesis that DS is inherently limited to <14 bits of resolution is an extraordinary claim
No, it's an extraordinary misunderstanding.Your hypothesis that DS is inherently limited to <14 bits of resolution is an extraordinary claim
You didn't care to share a source for that plot -- which doesn't help your credibility, btw.[...]
Multi-stage noise shaping = "all missing codes", non-linear.
SAR ADC and human hearing can detect this errors:
R2R don't generate this spikes:Seems like another "religious war" in the making.
Deltasigma DACs do not look like exact instruments, but are like cheap entertaining toys that guarantee nothing butcolorsine distortion.
Only 9dB correlation between input and output music signal for RME babyface DA/AD loop (THD <-100 dB) - unreal?with real-world music signals.
The reason that it has a low null depth. You can simply cherry picking some measurements to "prove" your claim right?"RME Babyface (didier.brest)
0.4 dB (L), 0.5 dB (R) Corr Depth: 9,2 dB (L), 10,8 dB (R) Difference*: -29.6 dBFS (L) -30.9 dBFS (R)"
https://www.gearslutz.com/board/showpost.php?p=14288579&postcount=1803
This is also directly visible in the files, time-domain. The phase shift for bass frequencies from the ADC highpass is readily visible. When uncorrected, this spoils correlation and null depth.The reason that it has a low null depth. You can simply cherry picking some measurements to "prove" your claim right?
https://forum.rme-audio.de/viewtopic.php?pid=63112#p63112
Only 9dB correlation between input and output music signal for RME babyface DA/AD loop (THD <-100 dB) - unreal?
"RME Babyface (didier.brest)
0.4 dB (L), 0.5 dB (R) Corr Depth: 9,2 dB (L), 10,8 dB (R) Difference*: -29.6 dBFS (L) -30.9 dBFS (R)"
https://www.gearslutz.com/board/showpost.php?p=14288579&postcount=1803
This is "all missing codes" due 20-times noise shaping or 10-times ASRC?
R2R don't generate this spikes:
yes, there arepeopleidiots claiming a NOS filterless DAC is the BOMB. It is not 'accurate' nor bit perfect (99.something%) of the time. The rest of the time the signal is wrong in amplitude and timing.
The R2R PCM1704 is a really nice part though, it's a shame they don't make it any more.
Seems like we're being trolled by someone with an agenda, or a firm and unwavering belief in the results of a questionable report.
That's the ticket right there.
Vintage DAC chips are the new NOS tubes.
Hoard the remaining supply right now so that late 21st century audiophiles can wax prosaically about how good 1st generation digital was and build anachronistic DACs built on old topologies and sell them in expensive audio jewelry cases, much like the way tube amp lovers harken back to the old "Golden Age of HiFi' with SETs and tubes.
Get them now while if you still can.
Maybe NOS DAC promotion is the agenda of our recent poster?
No. I want to return the SAR ADCs (which still measure signals in digital oscilloscopes) to the practice of audio recording, then you yourself will understand what is the true quality of the DAC.Maybe NOS DAC promotion is the agenda of our recent poster?
It can be improved via digital (table) correction.I am holding on to my 20+ year old PCM63 DAC!
No. I want to return the SAR ADCs (which still measure signals in digital oscilloscopes) to the practice of audio recording, then you yourself will understand what is the true quality of the DAC.
It can be improved via digital (table) correction.
As someone who does a lot of recording, I can tell you that the ADC/DAC quality is far less important than everything else that happens.
Microphone selection and placement alone dwarf anything you're obsessing over.