They have been stagnant for sure. They just fight for market share with marketing and distribution.At this point, is it safe to say audio devices from some (or most) 'old' companies are not only plain expensive but also technologically inferior?
You can get a system that makes this point moot, i.e. provide provable transparency. Why spend energy to prove that this is good enough after paying extra for it?STILL, I'd like to see double-blind tests proving that this matters.
I had, well still have and occasionally use the Cambridge 651A, and the reason I bought it (at a reduced price at the time) is because of the features it had including the DAC and the USB input. The internal DAC from memory was "reviewed" as OK. When I do use the amp I am not biting my nails, nor weeping for the audible performance of the DAC, I can't hear the poorer performance of the DAC compared to the Topping Dac's I use.Good heatsinks. Otherwise, well, you COULD listen to music with it. Not as much output power as I'd like to see for the money. Good to see solid amp performance all the way down to 20 Hz, speaks of a good stiff power supply.
The DAC doesn't measure very well. STILL, I'd like to see double-blind tests proving that this matters. I'd like to see scientific proof that listeners can hear the difference between this DAC vs something from, say, Topping. We can MEASURE a difference, but does that measurement translate to an audible difference- or are we just counting how many audiophiles can dance on the head of a $400 RCA plug? I don't know the answer. I WANT to know!
It could be a budget oriented design decision. Why pay more for a SOTA DAC when its performance is swamped in the power amp? Finally what counts is what comes out of the speakers.You can get a system that makes this point moot, i.e. provide provable transparency. Why spend energy to prove that this is good enough after paying extra for it?
But amplifier guru Douglas Self has worked with Cambridge Audio. That in itself does not automatically lead to SOTA amplifiers, unless the company wants to create such. However, they must have had some thought in that they hired such a knowledgeable person as Douglas Self, or?Another example of a highly regarded English brand under performing. Can't help but feeling duped over many years by the HiFi magazines, who were glowing in their admiration for these brands.
For the same money you can have a minidsp Flex or WiiM front end, combined with a hypex power amp assembled by one of several competent manufacturers.
It must now be clear to even the most ardent "subjective" that the only way you can be assured of getting transparent and high performing gear is by measuring it. No ifs or buts.
Your work is invaluable Amir, thank you.
Edit: typo
great that @amirm is including thermal test now, would be valuable addition, especially for power amps.
The reliability of a linear power supply is known to be excellent in the long term and the design/manufacturing quality/cost ratio is favorable for such a device with multiple power rails.Dumb question - but why are transformer based/linear power supplies still a thing in modern consumer/prosumer integrated amps and AVRs?
I assume the average purchaser of a $1200 stereo integrated amp - would value size, weight, efficiency (thermals), and cost over the “audiophile” logic that SMPS = bad.
Why is this 1.6 volt pre out output level a real problem?+1.6v issue is incomprehensible. This isn't some start-up company
Dumb question - but why are transformer based/linear power supplies still a thing in modern consumer/prosumer integrated amps and AVRs?
Hmm...That was expected, thanks @amirm.
I'll eat my hat if any of the mainstream Class AB design cross the -100dB barrier. What Benchmark did is/was remarkable.