.for people who are working in the professional area with different capacitors in speakers and electronics, the differences are very clear, and you could discuss if one prefers this one or the other one.....but nobody would say there is no difference.
I can't imagine that for speaker XO. Anyone who has ever electrically measured film capacitors selected for capacitance will have noticed that the differences as shown here are minimal (another example can be found in
part one of the mini series where this was shown for another "high-end" capacitor).
Regarding purely electrically measured distortion of bipolar capacitors, one should have another look at
Cyril Bateman's Capacitor Sound articles regarding distortion of film and electrolytic capacitors. Pay particular attention to the voltages used in the distortion measurements and the distortion of the "bad" bipolar electrolytic capacitors. I think according to Bateman's measurements, distortion of capacitors in crossovers is not a problem.
But the crucial question when using capacitors in passive crossovers is, are there acoustically measurable and especially staggering audible differences, as it is vehemently claimed by manufacturers, reviewers and "believers", when using, for example, standard film capacitors and "high-end" film capacitors?
Everyone can listen to the result for themselves here in the thread.
Those who cannot or do not want to believe the result can repeat the experiment for themselves without much effort. All you need are carefully selected capacitors, a tweeter that delivers consistent results and a low distortion measurement microphone.
One just has to accept that the near-field recordings of the capacitors (for the ABX-Test or Null-Test via DeltaWave) will contain all the acoustic differences that can occur when changing capacitors - If not, all hope is lost anyway