tankas
Member
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Both illustrate the extreme asymmetry of the trombone. See if you can ABX them.
I can't tell the difference. (p.s. have alright ears, was accepted & studied in a music school)
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Both illustrate the extreme asymmetry of the trombone. See if you can ABX them.
Now you are beginning to understand. The cannon behaves like a spherical beamer. If a drum of vertical membrane is hit from behind you get an overpressure wave front in front of it and an underpressure front sitting behind it.That's completely wrong. The polarity reversal that we are discussing has nothing to do with spherical versus planar.
Take (as an extreme example) the cannon shot from the 1812 Overture. That's an outgoing spherical wave, whose leading edge is overpressure, not underpressure. The polarity-reversed version would have a leading edge which is underpressure.
This has nothing to do with where you happen to be sitting, or which way you happen to be facing.
Yeah, sorry, this is the correct link for 'Absolute Polarity Blind Listening Test'That page (https://www.audiocheck.net/audiotests_polaritycheck.php) tests totally different thing, stereo polarity, and not absolute polarity. Obviously you are going to hear a difference. The out of phase samples make you feel like your brain is sucked out through your ears. I really doubt that G6 has stereo polarity issues... Everything would sound horrible.
Well I tested myself, and with that sample of music and I can't tell the difference between them, how representative that sample is for showing any characteristic difference between original & inverted absolute phase I do not know. The main reason why I couldn't differentiate between the two, was because I couldn't really identify where in the sample the inverted differed from the original....at times I felt like I could hear a difference but it didn't really stay constant from one playback to the next...this was when I was trying to 'train' myself by listening to the original a number of times and then switching quickly to the inverted. From listening to the samples I developed a 'theory' that the original had a bit more attack in the pluck of the guitar and perhaps a few more prominent notes in some places...but I couldn't reliably latch onto that when listening to the unknown samples, and I also don't know if my theory was correct anyway.Yeah, sorry, this is the correct link for 'Absolute Polarity Blind Listening Test'
https://www.audiocheck.net/blindtests_abspolarity.php
Now you are beginning to understand. The cannon behaves like a spherical beamer. If a drum of vertical membrane is hit from behind you get an overpressure wave front in front of it and an underpressure front sitting behind it.
Yeah, sorry, this is the correct link for 'Absolute Polarity Blind Listening Test'
https://www.audiocheck.net/blindtests_abspolarity.php
Now you are beginning to understand. The cannon behaves like a spherical beamer. If a drum of vertical membrane is hit from behind you get an overpressure wave front in front of it and an underpressure front sitting behind it.
I've seen it and also tried and couldn't tell it apart.When that link was posted earlier in this thread, I pointed out that 128 kbps CBR MP3s are worthless as a test of anything this subtle. I contend that remains true.
You'll have a better shot with the trombone samples that I posted in WAV format.
I find it very hard to find a difference to those two. If you had to force me to notice a difference I would say it's at about 22 seconds into the track where the trombone shoots up in volume and does a quick rising 'sweep' of a number of notes...I would say the original sample has a bit more of an 'edgy timbre' than the inverted one....if you had to force me to notice a difference, ha!Maybe it's time for a "real" example, which is as polarity-asymmetric as any instrument in the repertoire: the trombone. Here's
Both illustrate the extreme asymmetry of the trombone. See if you can ABX them.
- A pair of .wav file with a trombone note and its polarity-reversed version.
- A 30 second snippet from Villa Lobos Choros #4 for 3 horns & trombone, and its polarity-reversed version.
I find it very hard to find a difference to those two. If you had to force me to notice a difference I would say it's at about 22 seconds into the track where the trombone shoots up in volume and does a quick rising 'sweep' of a number of notes...I would say the original sample has a bit more of an 'edgy timbre' than the inverted one....if you had to force me to notice a difference, ha!
Yeah, sorry, this is the correct link for 'Absolute Polarity Blind Listening Test'
https://www.audiocheck.net/blindtests_abspolarity.php
My impression when i listing this the Original comes more from Left and the invert more from the right side.
I heard no difference ...Maybe it's time for a "real" example, which is as polarity-asymmetric as any instrument in the repertoire: the trombone. Here's
Both illustrate the extreme asymmetry of the trombone. See if you can ABX them.
- A pair of .wav file with a trombone note and its polarity-reversed version.
- A 30 second snippet from Villa Lobos Choros #4 for 3 horns & trombone, and its polarity-reversed version.
No only of the Link from the Guy.
I take a look on the Abx nothing find for windows 10.
But for is clear with this test what is mean.
Could he have heard the inverted polarity and liked it ?this guy describes the topping e30 as more spacious sounding and better clarity than the d50s... any thoughts.?
from 7:40 to 9:00
Could he have heard the inverted polarity and liked it ?
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