By reading this thread, the strong impression that I am getting is that many, claiming that measurements are almost meaningless in pinpointing to which device / speaker will sound good or bad, simply do that because they may be lacking proper understanding of basics of math and science behind audio reproduction
Timbre, body, coloration, etc are nothing but the sum of frequencies and energy behind each frequency component in that sum … if electronics have wide enough bandwidth not to suppress individual frequency component energies, i.e. to properly amplify them, with inaudible distortion (and especially without generating additional unwanted frequencies which were not present in the original input signal), there is absolutely no rational reason to claim that the device will ‘sound’ bad … in fact ‘less it sounds’, the better
Anechoic speaker measurements are somewhat more debatable because they do not represent real life environment in which the speaker will be used. However they represent the set of documented facts how that speaker behaves in ideal conditions … indicating how bracing is done, whether cabinet resonates by itself, how sound pressure is distributed in environment without bouncing, i.e. whether best practices and basics of sound reproduction have been covered, etc … and especially what’s sensitivity of the speaker so that target consumer has an idea about required power of the amplifier … of course, speakers are the most tricky components in the chain, because they interact with the room and their ability to reproduce and disperse sound in that room highly depends on the way they are positioned relative to walls, absorption panels, etc.
Too many bounces, echo, boomy undefined bass due to too many standing waves? You have crappy sound.
Properly positioned speakers relative to the room geometry are the key for musical enjoyment, assuming all your electronics upstream are well measured
Enjoy the music