I'll remain respectfully skeptical until this is repeated by several someone else , this level of performance between insanely good amps should be impossible to discern unless one drives an amp close to it's limits.
Amp should never clip and never be close to any other limit like current limiter in power supply or similar , if one choose to compare .
it places very high demands to do the test perfectly ' it's very hard to do .. I could not do that ? I'll suspect some unknown method error .
"Extraordinary Claims Require Extraordinary Evidence" as Carl Sagan said.
I's a different game if one tests and want's to find out the limits and if you can hear them .
Thank you for raising this point. While broad statistical data can provide valuable insights, it's also critical to delve into the nuances that may influence the performance and auditory perception of amplifiers. Here are several factors I've mentioned before that can result in audible differences between two amplifiers, even if their basic specifications might seem similar:
Measurement Limits: Standard measurements often highlight parameters such as frequency response, total harmonic distortion (THD), and signal-to-noise ratio (SNR). However, these specifications may not capture the entirety of an amplifier's performance. Elements like transient response, intermodulation distortion, and phase distortion, which can critically influence auditory perception, might not be explicitly measured or emphasized.
Load Interaction: The interaction between an amplifier and a speaker is dynamic. While two amplifiers might exhibit comparable performance under a resistive load, their behavior could vary significantly when paired with the complex impedance of real-world speakers.
Feedback Differences: The application of feedback in amplifier design can vary widely. Some amplifiers incorporate negative feedback to diminish distortion, while others might opt for minimal feedback to attain a particular sonic characteristic. This choice in feedback design can substantially influence the resulting sound.
Circuit Topology: The underlying circuitry of amplifiers, even those with similar surface-level specifications, can be remarkably different. A Class A amplifier, for instance, might produce a sound character distinct from a Class D amplifier, attributable to their inherent design differences.
In an acoustically well-treated environment, coupled with a trained ear that's attuned to these subtleties, it's entirely feasible to discern variations between different amplifiers. While broad data offers a macro perspective, the specificity of individual setups and conditions can lead to different experiential outcomes.