DeLub
Active Member
Apple Music used to normalize tracks at -16LUFS. And I remember reading that Atmos tracks are required by Dolby to be mixed at -18. And I assume Atmos tracks are not subjected to normalization in Apple Music. This explained why Atmos tracks were always a bit softer than the stereo tracks. But I while back I noticed that at the regular volume level I listen to music, the stereo tracks were softer than before. And sure enough, when I added the EBU reference signal (which is -23LUFS) in Apple Music I could see that it would get boosted by only +3,0. Therefore it seems that Apple settled on a new normalization target of -20LUFS. And it confirms why now the stereo tracks are softer than the Atmos tracks.
Anyone else notice this?
It actually think this is, in part at least, a good thing, as this allows for more dynamic range which is helpful especially for classical music. But I don't understand why stereo and Atmos tracks don't have the same target level. Either they should have chosen -18 as target, or also attenuate atmos tracks to -20. I feel this is a missed opportunity. But perhaps I'm missing something here?
Anyone else notice this?
It actually think this is, in part at least, a good thing, as this allows for more dynamic range which is helpful especially for classical music. But I don't understand why stereo and Atmos tracks don't have the same target level. Either they should have chosen -18 as target, or also attenuate atmos tracks to -20. I feel this is a missed opportunity. But perhaps I'm missing something here?