It was a continuation of the negative sentence. I’m sorry that I was not clear. 20Hz port/resonance/tuning is not the norm.it is ? that would require insanely large boxes.
It was a continuation of the negative sentence. I’m sorry that I was not clear. 20Hz port/resonance/tuning is not the norm.it is ? that would require insanely large boxes.
No chuffing but You may get out of displacement, same issue but in general yes, its easier to do a PR design than a state of the art BR, like if You wanted to follow what Kef did on LS50. If You can fit a BR large enough to keep air speed down than its fine even with a straight pipe.Not noted yet but no port "chuffing" with a PR.
It was a continuation of the negative sentence. I’m sorry that I was not clear. 20Hz port/resonance tuning is not the norm.
Wouldn’t you get the same from a port?When you use a PR you also get a response null below the tuning frequency. That may or may not matter to you, but it does add group delay and more possibility of over-excursion.
Not the extra null. The over-excursion, yes.Wouldn’t you get the same from a port?
I appreciate if you explain further or point to a source for me to understand what you mean. Thank you.Not the extra null. The over-excursion, yes.
Thank you. However, as the document says that null is very much below the resonance that I can’t imagine if it’s audible at all, especially when the speaker at those frequencies is normally generating very high distortion.
My problem is the extra group delay. I've proven to myself I can hear the group delay of ported, and I tune ported carefully for minimum group delay to sound the most like sealed. Other than that, I'll comment that PRs are a whole lot more expensive than ports!Thank you. However, as the document says that null is very much below the resonance that I can’t imagine if it’s audible at all, especially when the speaker at a whole is normally generating around very high distortion.
My problem is the extra group delay. I've proven to myself I can hear the group delay of ported, and I tune ported carefully for minimum group delay to sound the most like sealed. Other than that, I'll comment that PRs are a whole lot more expensive than ports!
You're saying the box doesn't unload the cone there?If You can hear group delay then You tune it too high. The lower we go the less sensivitive we are to distortion in frequency and phase. This is another reason to use PRs at very low tuning frequencies. In such case this null that You wrote about and in general steeper cutoff below Fb comapared to BR play in Your favour, as You dont have to filter the subsonic frequencies.
I think you are an order of magnitude off. Can you show a PR that has such high moving mass? Here is an 11" model:
Actually no. The voice coil and cone can easily outweigh a PR. The spider return/centering spring is the key to PRs. I use 10-18" PRsWoofers usually have way lighter cones compared to PR which cas easly carry 300-500 grams of weight.
Haha! I got that. But back on topic. In my mind the major benefit to using a PR over BR per the OP's original question.In terms of PRs and port chuffing -- did I miss my window of opportunity to mention how common, in decades past, port noise complaint was?