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Introducing the Phono Cartridge Measurement Library

  • Aside from the expected low frequency resonance stability the results pretty much match my prior Denon ones
can you please clarify what is expected.? Do you mean that the high mass tone arm is better or worse for this cartridge? I notice from your plots that the light arm (Denon 30LII?) gives a rise is bass at 20hz, while the more heavy arm seem to have a drop/irregularity below 40 hz or so

My Ortofon OM10 on Denon 21F shows som erratic behaviour below 50Hz too... is this a "light arm" problem? or..
View attachment 434739


  • Info CA TRS-1007
  • New OM10 stylus on OM10 1hr,
  • Denon 21F
  • CAMBRIDGE cp2 RIAA 220pF, cable 125pF, Tascam 144MK2
High distortion !!! Tracks OK 70um
The same body with original stylus was posted here

Yes, I meant that a higher mass tonearm is better for this cartridge. You are right that the small small rise at 20Hz on the DL-30II with the light tonearm is the result of a cartridge-tonearm mismatch. Unfortunately my results on the appropriate Sony PS-X50 are not helpful for understanding this because the preamp I was using had a high pass filter at 40Hz and is preventing us from seeing the true results at 20Hz. But yeah I would expect the results to be more flat.

As far as your results, I am not so sure it is a result of the tonearm as the rise is within reason to me. Are you snipping the wav files manually? Sometimes when I cut too early or late it can mess with the results at 20Hz. Other than that I don't have many ideas as to what is happening.
 
vm95en stylus- at95 vs vm95 body

at95-

View attachment 407456
vm95-
View attachment 407457



these were cheap so thought id try them. i dont think id ever buy these at full price. i bought a few and tested two. the other one i tested is a db brighter at the peak, but the overall shape of the response looks the same. the two vm95ml styli i have do really well on the at95 body. the extension is much better and no where near as much of a fall off. i was expecting something similar but was pretty disappointed.
Can you please post vm95ml on 95E body? I have a 95E body I want to utilise, and avoid having to buy a VM95 body
 
Can you please post vm95ml on 95E body? I have a 95E body I want to utilise, and avoid having to buy a VM95 body
pretty sure ive posted that before and its scattered amongst the different threads. heres one of them. i get better extension with the 95e bodies that have the lowest inductance. they vary, but can be had for 15 bucks or so off ebay so ive purchased multiple. the 95ml bodies roll off earlier and further down. i like to take the body from the 95e and install it in the threaded insert mounting cap of the vm series.
vm95ml-on-at95-body-1 (2).png
 

Audio-Technica AT-OC9XML​

reloop_AT-OC9XML_caTRS1007_sideA.png


Notes:
  • Cart probably has 20h of usage at this point
  • Turntable: reloop7000 internals fully bypassed via technics pcb balanced connection output
  • Tracking force: 2g
  • Phono stage and loading settings: e1da apu balanced 47kΩ & 60dB gain
  • Cable capacitance: cables + turntable = 195pf
  • ADC: e1da cosmos adc 2.7v sensitivity 96kHz
  • Test record: CA-TRS-1007 180g brand new + sealed
 
Some rumble filter in action here?
I took a look and your right; my adc is doing some filter action when applying RIAA.

RIAA curves are correct from 44.1k to 384k, 705-768k RIAA is not implemented.
BTW, I did add there 20Hz 2ord HPF as a subsonic but on the fixed Fs=384k, i.e. at 192k the HPF cuts <10Hz, at 48k cuts <5Hz. I guess RIAA users will go with 384k
to ripping their LPs in most cases, so they will get a normal subsonic filter then. If they don't want that filter, just go 192K or 48K and HPF will cut lower than audio range freqs.
 
I do not think the record limits the response, look at the other CA TRS-1007 here, they are mostly flat to 20hz, or maybe the cart is not fully run in?
 
AT VM740ML Loading

I think there are enough 540/740ML measurements that I'm not inclined to post more, but I thought some load comparisons would be helpful. These are various Cloads at 47k, and various Rloads at 105pF and 205pF (AT's recommended Cload range)

@USER perhaps these and submissions that show various loads can be designated such in the index?

AT VM740ML Cload Left Channel_47k_STR-100 2A1.png

AT VM740ML Rload Left Channel_105pF_STR-100 2A1.png

AT VM740ML Rload Left Channel_205pF_STR-100 2A1.png
 
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AT VM740ML Loading

I think there are enough 540/740ML measurements that I'm not inclined to post more, but I thought some load comparisons would be helpful. These are various Cloads at 47k, and various Rloads at 105pF and 205pF (AT's recommended Cload range)

@USER perhaps these and submissions that show various loads can be designated such in the index?

View attachment 439806
View attachment 439889
View attachment 439890
Looks like curves are smoothed, how do you do that ?
 
Looks like curves are smoothed, how do you do that ?

It's just a filter on the data set, but in its present form it only works from 1kHz and up as the step sizes below that are different. It's in a hacky script I use to do comparison plots, which at some point I'll likely put on my GitHub once it's in a bit more user-friendly shape. I use the filter on these for legibility and the "lost" detail is of no consequence for the purpose of the data.

Attached is filtered vs. unfiltered for comparison.
 

Attachments

  • Filter Example.png
    Filter Example.png
    107.1 KB · Views: 37
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Updated the index. I also added a section on loading in the guidebook. I wrote it for beginners and so I simplified it a lot. I would really appreciate feedback. Thanks.
 
Grace F-9 & Soundsmith RS-9U stylus

Grace F9 + SS RS-9U_48kΩ_95pF_1.50g_LR_norm1_CA-TRS-1007.png


and with added 220pf of capacitance:
Grace F9 + SS RS-9U_48kΩ_315pF_1.50g_LR_norm1_CA-TRS-1007.png


Notes:
  • Stylus is new
  • Turntable: Technics SL-1210GR with KAB Fluid Damper
  • Headshell: Stax HS-7
  • VTF: 1.50gr (SS recommends 1.4gr but with 1.5gr it passes the 90μm Ortofon tracking test)
  • Phono stage: HusaRIAA v2 (http://tinyurl.com/45ke55cx)
    • Capacitance: ~95pF-315pF (total capacitance)
    • Loading: 48kΩ
    • A/D: ASUS PRIME B660M-A Line In and Audacity
  • Test record: Clearaudio CA-TRS-1007 side A
 
Grace F-9 & Soundsmith RS-9U stylus

View attachment 443606

and with added 220pf of capacitance:
View attachment 443607

Notes:
  • Stylus is new
  • Turntable: Technics SL-1210GR with KAB Fluid Damper
  • Headshell: Stax HS-7
  • VTF: 1.50gr (SS recommends 1.4gr but with 1.5gr it passes the 90μm Ortofon tracking test)
  • Phono stage: HusaRIAA v2 (http://tinyurl.com/45ke55cx)
    • Capacitance: ~95pF-315pF (total capacitance)
    • Loading: 48kΩ
    • A/D: ASUS PRIME B660M-A Line In and Audacity
  • Test record: Clearaudio CA-TRS-1007 side A

Great measurements. Thank you. Good to see a Soundsmith replacement stylus on here. A sensible choice too. It is the one I would have picked out myself from the options. (I am always terrified of Ruby cantilevers.) The second result is of the official Ruby version (from Audio, July 1983) and I can imagine it would have caused some mayhem here.

4871986-347508f7-excellent-grace-rs-9u-line-contact-and-rs-9l-elliptical-genuine-2-replacement...jpg

audio_1983-07_grace_f-1.jpg
 
I have been aiming for the that linearity from a V15 MR, and with some cheating with Puffin DSP ( AIR +1) I finally got quite close with Shure V15 IV and Jico SAS-B,, on a Denon 51F. It sounds nice, and best of all ,I now know what a linear vinyl response sounds like ....I do not need to buy Unobtainium
View attachment 380698

Shure V15-IV Jico SAS-B no eq and CBS test record looks quite different... I guess this would benefit from higher R and more Cp, But I fix it with Puffin EQ anyway

1744528870014.png

  • Jico SAS B few hours< 50 1.25g
  • Load 47k and 125+50 and maybe 50? pF
  • Denon 51F
  • Parks Audio Puffin Toslink out to USB to PC
 
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