And anyway they are also as bad as a disease
My impedance sweeps are very high resolution with Kelvin probing. As such it sometimes shows effects like this although I have not seen it this severe in the past.
Considering the parts involved in this case, it seems that more than baffle step correction is the target intended. BSC can simply achieved with one paralell R//L while it looks like more components are used (additional RLC network) to add some kind of eq around 2000 Hz, as also indicates the impedance curve. As commented before, despite the glowing metal phase plug, these drivers seem very far from exemplary...Baffle step compensation.
Erin, you know what, I didn't agree with you at first but I think you're right. This is one of the most messed up impedance response I've ever seen. Unless the box design is truly bizarre (some kind of horn loading or something) there is something up with this speaker. You and I both know what typical bad-speaker-impedance plots look like, little wibble wobbles above 200hz, but this kind of chaos doesn't make sense.
GR could be the worst speaker designers on planet earth, but Dayton doesn't sell drivers that do this, and I don't think the crossover is that complex. In other words, either something is wrong with the construction, or something truly bizarre is happening. Let's not forget that a LIMP jig or DATs is one of the diagnostic tools that GR has, along with their radio shack spl meter and 'Brothers in Arms' CD.
@Rick Sykora can confirm, but the speaker looks like a simple slot loaded port, no bracing, and a moderately complex crossover (2 coils, 3 caps and some resistors, which is not what I would consider minimal for a fullranger).
Yes, this is part of the problem... The driver's Fs is around 120hz, so that is useless because lacking any bass. But the cabinet is a Bass Reflex design using the sub tuning trick in order to boost somewhat the bass. In this case the cabinet is tuned around 80hz (the minimum between impedance peaks), and the result is an insane peak above 100hz ( which also interacts with the passive Eq netwoork...). This insane BR tuning is what causes distortion because cone movement cannot be under control as a sane BR design would allow. But this would also mean sacrifice bass, tuning the BR at 120Hz or above.I am not an expert on speaker design but for a driver like this I was under the impression that you are supposed to cross them over before resonance to avoid problems and things become unstable at the resonant frequency. The resonant frequency of this driver is 120 Hz which is right where things get crazy. The published impedance data shows the strong peak at 120 Hz and some phase changes as well and it not that much different than what Amir measured. To me it looks more like the design is broken rather than anything mechanically wrong with the speaker.
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Yeh, I confess during listening tests I wished I had some IMD tests. This speaker does provide a control sample to see if IMD tests are working to reveal such issues. In the past I would get just get IMD results all of the place (due to wild frequency response differences) so there was no way to know if they were showing anything useful. A single driver also makes it easier to arrive at frequency pairs as it plays them all. A 2-way speaker doesn't do that.You didn’t measure it, but I’d imagine IMD is pretty terrible. Doppler distortion alone would be extremely high in a small cone full range. Add to that the excursion this driver is seeing under the tuning frequency and I bet it’s a wild ride.
Thanks for always taking the time to correct people, it's very much appreciated.What does a crossover do in a full range single driver speaker?
more of a filter yahSo it’s not a crossover but an equaliser?
Can you explain a bit more? Are the results inconsistent? Not sure what you mean by wild frequency response differences.In the past I would get just get IMD results all of the place (due to wild frequency response differences) so there was no way to know if they were showing anything useful.
There is an upgraded speaker here. An easy case though as the response of that speaker was pretty flawed as shipped.I was lurking on his site and now I'm very interested to see a test of his upgrades. At $250-$300 I have a feeling those might be snake oil.
Conclusions
Ah, little giant killers... who doesn't want to see an underdog win? Put in a spokesman in front of the camera that tells the nice story and you just want to believe it. I know I believed it a lot more than what I experienced with the speaker. Yes, the tonality is good overall. No, you can't take a midrange+tweeter driver and pretend it can play bass at the same time. It simply cannot. How on earth anyone can say this speaker is usable let alone high-fi is beyond me.
Is Danny this oblivious to distortion? This is not subtle stuff folks. Measurements show extreme amount of distortion and listening tests easily bring out the same. And of course physics solidly predicts it as well.
There is a reason my acoustic measurements from day one have included distortion measurements. And why I listen for dynamic behavior in my listening tests. Hi-fi is about enjoyment and there, you want to have some volume. The LGK 2.0 simply cannot go there. The driver seems to be designed for a boombox or something with matching electronics to control what it can or cannot do. Sticking it in a box and calling it great is one of the biggest farces I have seen in audio business!
So I was wondering bad in that build thread if IMD would be just bad or really bad and as you discovered it is impossibly bad.By this time, I actually expected the speaker to sound good (based on spin data). Boy was that not the case. At any listening level above faint music, there would be this nasty warbling sound to vocals which would progressively get worse with volume. I am talking about way below the point where it crackles. The only time this was not super audible was if there was no bass at all. My female tracks are not bass heavy but the bit they had, caused this speaker distort so badly that it was unlistenable. I have tested over 200 speakers and never heard a speaker with such poor response.
By chance I had my desk lamp above it so could easily see the shadow of the driver below the cabinet. As soon as I would see any vibration in that shadow (due to the cone moving), the game was over. And again, this happened at very modest volumes with me sitting just 3 feet/1 meter away from the speaker!
Suspect bass being the problem, I took out the EQ tool and put in a sharp high pass:
This managed to get rid of significant amount of that warbling effect. But then there was so little bass that one was left thinking the sound was just too thin.
In electronics, I can generate two perfect tones that are always at the same level. Then we can see the intermodulation distortion. With two speakers with varying frequency response, the signals themselves vary so will their intermodulation. So two speakers with same non-linearity but different frequency response will demonstrate different levels of intermodulation which is not correct.Can you explain a bit more? Are the results inconsistent? Not sure what you mean by wild frequency response differences.
Try adding smoothing to your plot and it will look radically similar. You're comparing apples with oranges...At first this looks radically different than what the company shows