Clmrt
Member
- Joined
- Feb 26, 2023
- Messages
- 15
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- 10
I've been using a P3 for about 10 tracks so far. It displaced an Outlaw 975, drives a Crown PS-400 into my Snell D7s and is pretty much spectacular on well recorded jazzy stuff.
Live music sounds great. 80s studio stuff not so much so far. Older 60s and 70s tracks sound better. Definitely bringing through the recording and mastering techniques if that makes sense.
With the 975 everything sounds equally good. With the P3, things stand out and truly fill space with body and energy if it was recorded in a way to allow it. Interesting and pleasing effect.
Currently Bluetooth from a Samsung S22, Tidal max res, P3 volume at 12 o'clock and controlling volume with the phone.
I'll wire it to my Wiim mini analog out tomorrow to see what it can really do.
Live music sounds great. 80s studio stuff not so much so far. Older 60s and 70s tracks sound better. Definitely bringing through the recording and mastering techniques if that makes sense.
With the 975 everything sounds equally good. With the P3, things stand out and truly fill space with body and energy if it was recorded in a way to allow it. Interesting and pleasing effect.
Currently Bluetooth from a Samsung S22, Tidal max res, P3 volume at 12 o'clock and controlling volume with the phone.
I'll wire it to my Wiim mini analog out tomorrow to see what it can really do.
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