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Denon DCD-900NE Review (CD Player)

NTTY

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Hello Everyone,

This is a review and detailed measurements of the Denon DCD-900NE stereo player and transport.

DenonDCD900NE_001.jpg


I previously reviewed the Marantz CD6007 which is in the same category. So much so that packaging is identical, as well as the remote control, as well as the user guide. All look to be sourced from the same consulting company.

I like testing CD Players, especially older ones, but I'm still in search of a modern one which I could use as kind of reference. So far the Onkyo C-733 has this role, but it's extremely difficult to source since it's 20 years old. So let's see what this Denon has to tell us.


Denon DCD-900NE - Presentation

This is the latest iteration from Denon (as of August 2024) of this player, replacing the previous DCD-800NE. As you can see on the above picture, the look has not changed and has been the same for a long time. Similar to Marantz, I like it a lot.

On the front face no phones output, which is too bad. I guess this explains the lower price when compared to the Marantz. Also, no selection of different filters but we get the now famous Denon specific filtering in an advanced version called "Advance AL32 Processing Plus". We'll deep dive into that, trust me.

As with the Marantz, there is also a USB input which will accept a USB drive and higher resolution files (up to PCM 24bits/192kHz and DSD 5.6MHz).

Back panel shows the essential:

DenonDCD900NE_002.jpg


We have RCA out and digital (Otpi + Coax).

Here is a picture of the inside:

DenonDCD900NE_004.jpg


We find two power boards, one for the digital section with servo control, decoding and the Denon AL filtering, and one for the analog section with the ESS DAC. Everything seems well organized and looks qualitative.

As opposed to the Marantz, no refined output stage (HDAM) of course, but the audio board is nice with the ESS9018S and OP1692 in the output stage (for I/V and LPF, I guess), to make us happy:

DenonDCD900NE_005.jpg


In terms of usage, first impression was rather good. But again similar to the Marantz, I was annoyed by the slowness of the drive. Indeed, if going forward is relatively fast (but no where near older players), going backwards was a little nightmare. less so than with the Marantz though.

Really, out of the box, these two players are alike.


Denon DCD-900NE - Measurements (Analog out - From CD)

From now on, I will be consistent with my measurements as I described them on the Onkyo C-733 review. So over time, this will help comparing the items I reviewed.

The Denon DC-900NE outputs 2.402Vrms, that is 1.6dB above the standard 2Vrsm. The two channels were matched at 0.01dB (very good). The single-ended outputs invert absolute polarity.

Let's start with the standard 999.91Hz sine @0dBFS (without dither) from my test CD (RCA out):

DenonDCD900NE_999.91Hz_0dBFS_LR.jpg


Left and right channels are shown but only one gets evaluated in that view. Both channels have the same performances, though. Plot is on H2 (-114.7dBr and -115.2dBr).

Well, it is the lowest THD I ever measured from a CD player (-114dB), a huge 18dB better than the Marantz!
THD+N is limited (and so is the SINAD) the resolution of CD Audio. It's the best we can get.

Same view but at -6dBFS now:

DenonDCD900NE_999.91Hz_-6dBFS_LR.jpg


Other results (not shown) are:
  • Crosstalk : -137dB at 1kHz, -120dB at 10kHz
  • IMD AES : -97dB (18kHz+20kHz 1:1 @-5dBFS)
  • Pitch Error : 19'997.01Hz (19'997Hz requested) ie +0.00005%
These are extremely good performances for a CD Player, very close to that of the Marantz.

The Denon is a very quiet CD player, doing even better than the Marantz:

DenonDCD900NE_PowerSupply.jpg


We can see only one power supply–related spuria in its output, below -130dB at 50Hz (I live in Switzerland). This is nice to see.
Note the very low level side bands on the two views above, around 1kHz. They are power supply modulation at -130dBr (inaudible, negligible).

Bandwidth measurement (now measured from periodic white noise) shows a significant roll-off at 20kHz (-2dB) starting very early (at 4kHz):

DenonDCD900NE_BW_LR.jpg


Of course, this is due to the oversampling filter which we will analyze soon. The two channels are perfectly matched, well done.

Before talking filter, multitone test showed no issue:

DenonDCD900NE_MT_LR.jpg


CD Audio content is safe from distortion, no surprise considering the previous results.

Jitter is absent too, exhibiting a beautiful trace:

DenonDCD900NE_JTest_Corrected.jpg


Red trace is what is on the test CD (digital output), it can’t be better. The Denon (blue trace) does not add any jitter.

And I forgot to add one of my favorite measurements, and that is the THD (excluding noise) vs Frequency at @-12dBFS:

DenonDCD900NE_THDvsFreq_-12dBFS.jpg


The Denon had no issue except a little and unusual increase from 8kHz. The two channels showed same excellent performances anyways, best I measured, but this test is easy for 1bit DACs. I like this measurement because it shows lack of linearity already at this level with older R2R architectures that I enjoy testing.

Started with the Teac VRDS-20 review, and on your request + support to get it done (more here), I'm adding now an "intersample-overs" test which intends to identify the behavior of the digital filtering and DAC when it come to process near clipping signals. Because of the oversampling, there might be interpolated data that go above 0dBFS and would saturate (clip) the DAC and therefore the output. And this effect shows through distorsion (THD+N measurement up to 96kHz):

Intersample-overs tests
Bandwidth of the THD+N measurements is 20Hz - 96kHz
5512.5 Hz sine,
Peak = +0.69dBFS
7350 Hz sine,
Peak = +1.25dBFS
11025 Hz sine,
Peak = +3.0dBFS
Teac VRDS-20
-30.7dB​
-26.6dB​
-17.6dB​
Yamaha CD-1 (Non-Oversampling CD Player)
-79.6dB​
-35.3dB​
-78.1dB​
Onkyo C-733
-79.8dB​
-29.4dB​
-21.2dB​
Denon DCD-900NE
-34.2dB
-27.1dB
-19.1dB

I kept some references and will keep the same for other reviews, so you can quickly compare. The results of the Denon DCD-900NE mean the oversampling filter does not have headroom to prevent intersample-overs. The Yamaha CD-1 shines here because it's old enough not to have an oversampling filter.


Denon DCD-900NE - AL32 measurements

I think the Denon proprietary oversampling filter deserves a specific section, as it finds its roots back 3 decades ago.

As @bolserst wrote some time ago ago about Denon filtering, the first iteration of ALPHA processing by Denon featured an automatic filter selection based on LSB toggling, and which I could replicate too. Subsequent version of ALPHA processing included further intelligence in terms of filter selection.

I'll try to keep this section as simple as I can, but it's a challenge.

First, this is the filter response (from periodic white noise) overlaid with the standard AES IMD test (18kHz + 20kHz) which a lot of reviewers like to use:


DenonDCD900NE_Filter_AES.jpg


For the moment, please forget about the filter response (in red) between 60k and 72kHz.

Those of you used to perform and look at these tests will see an impossibility here. It is an obviously slow filter, and so it's not logical to see total absence of aliases of 18kHz and 20kHz (which would be at 26.1kHt and 24.1kHz respectively). That is because the Denon (its AL32 filter) recognizes the typical test tones and switches to a sharp filter in that case, which would make people like me theoretically happy. Fail :)

To counter the test detection by the AL32 filter, it is enough to add a third test tone with this standard AES test. So adding a 80Hz test tone defeats the detection of the filter, and here below we get what we should:

DenonDCD900NE_Filter_AES_True.jpg


And tadaa, this time we see what's logical with a slow filter response, aliases of 18kHz and 20kHz replicate around 22.05kHz. So you find them 26.1k and 24.1k respectively. I tested all standard AES, DIN, etc..., and when necessary, the AL32 filter switches to a sharper mode to exhibit what testers like to see : absence of aliases out of band.

Also, as with first iteration of ALPHA processing, it detects square signals and switches to NOS (Non Oversampling) mode in that case. This allows Denon to show perfect square waves. When looking at the same in frequency domain, we get this:


DenonDCD900NE_Square100Hz.jpg


This is beautiful and could be used by a teacher at the university to talk about D/A conversion and its effect on creating aliases, enveloped into a sinc function. This garbage is on purpose, again to show perfect square waves, when requested.

The two filter modes I showed, Sharp and NOS, are not activated during music playback. Their purpose is to shine during very specific tests.

How long as it been going on? I don't know, but I can tell you that the SACD DCD-SA1 (22kg of tech from 2005) exhibits the exact same behavior. I am your father:

DenonDCD900NE_003.jpg


Proof? Yes of course, my pleasure:

DenonDCDSA1_900NE_Filter_AES.jpg


Same slow filter, and same action switching to sharp filter when detection an AES IMD test, haha.

By the way, good to see that the son (DCD-900NE) improves the filter attenuation overall (see the green spikes of the SA1 going higher), even if keeping that strange bump between 62k and 72kHz. On one side it is good to see high end technology of 20 years ago, sold at a crazy price at the time, making its way to budget CD player, thanks Denon. And if you think the DCD-SA1 was a killing machine (I do), go grab a DCD-900NE and enjoy!

Oh, I almost forgot the essential, with music as well as with white or pink noise, the Denon uses the standard slow filter, there's no switching between filters when playing music. Below is an overlay of long term capture (peaks) of the song "Fast Car" from Tracy Chapman and pink noise:

DenonDCD900NE_Pink_FastCar.jpg


This shows what happens in real life, with real music content (dark green). The remaining energy of aliases at 62k-72kHz are at -100dBr, basically not of any concerns.

I think it closes this chapter.


Denon DCD-900NE - Measurements (Optical Out - From CD)

I measured the digital output of the player, from my test CD, for those who'd like to use it as a transport. The below view shows what's on the CD:

DenonDCD900NE_999.91Hz_0dBFS_Opti.jpg


It can't be better than that, This is what's recorded on my test CD. This is also one of the most stable digital output I encountered.

This, and other measurements I performed on its digital outputs, made me confident that the Denon is a prefect transport for those who want to use it with an external DAC.


Denon DCD-900NE - Measurements (USB In - RCA out)

And to finish, very quick feedback about using the USB input with higher resolution files. The THD does not change (of course) and the noise improves because of the bitdepth increase. Unfortunately, with "only" 2.5Vrms output from the output of Denon (RCA), my interface (Motu ultralite mk5) reaches rapidly its limits (because of no auto ranger like an AP, it would be much more at ease with 5Vrms at least and from TRS connections) and so I essentially measure its noise floor:

DenonDCD900NE_1kHz_0dBFS_USB.jpg


I think the SINAD would be better than shown here (-103dB) as again limited by the raised noise floor from my interface (I had to push the input gain by 14dB!).

On a filtering perspective, both with PCM 96kHz and 192kHz sampling rate, I can't see any issue (I can't capture at higher rate than 192kHz which limits the view to 96kHz only):

DenonDCD900NE_BW_USB_96 And 192k.jpg


We can only see here the attenuation with 96kHz input file, and that is around 100dB, which is good.

I did not test with DSD files as I don't have any test files of that type. I think the Denon is at ease with higher resolution files.


Conclusion

Used as a CD player, in audio band, these are the best results I got so far. All measurements are very close to what's on the test CD, so it can't really get better. The Denon DCD-900NE is also flawless as a transport.

When compared to my older Denon DCD-SA1, the little DCD-900NE did better absolutely everywhere (from CDA), wow! It is really nice to see older mega expensive technology becoming available to more people.

The behavior of the AL32 filtering is funny, designed to shine under measurements. It's been ongoing for a long time, the DCD-S10 was already including some tricks.

All that said, I am happy of what I saw, and this DCD-900NE is a keeper. It becomes my new low cost reference CD Player, awaiting for the one that will beat it (and even regardless of price, good luck).

I hope you enjoyed the long review and, as usual, let me know how to improve and if you have questions. I have recorded all the 44 measurements (and much more) and if you want me to publish others or run one of your choice, feel free to ask.

--------
Flo
 
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As a big fan of CD I'm really enjoying your testing.

This Denon, except for that slight droop in the FR, is textbook. I see them as low as £335 new in the UK which is amazing really. Only shame is the very bland appearance, but it's the style of the time, I suppose.
 
Hi, I think I'm now done with the review. I added the AL32 analysis and some insights when using higher res files from the USB input.
Enjoy.

--------
Flo
 
Thank you very much for this review, NTTY!

I find very interesting to see the effects of Denon's "AL" (previously "Alpha") processing. It seems that, for all intent and purposes, it is (currently) just a kind of slow roll off filter with some clever tricks just to detect test signals and improve the reproduction of them.

I also find your long term wide-band spectrum analysis of actual music tracks and pink noise interesting. As you have an SA-CD player, I would be very curious to tee the same measurement when playing back an SA-CD music track in order to compare the noise spectrum with CD playback. For testing with pink noise, there is this SA-CD disc which get some tracks with such signals :

 
Hi Scytales,

Yep, I have this SACD, and I can run the same test.

Is there a specific (music) track on that SACD you want me to use?

--------
Flo
 
Thanks for your reply.

I don't know if one of the music track is more relevant than others. All I know thanks to measurement with analogue test equipments is that the noise spectrum is a bit different from one track to the other.

Perhaps the more interesting track to use for you would be one with the closest dynamic range to the track Fast Car, ie the track which lead you to set the volume control about the same as Fast Car when you casually listen to it? That way, the comparison with your CD reference music track would probably be more relevant, at least to you.
 
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Question:
Can you hear a difference between Marantz CD6007 and Denon DCD-900NE?
Which unit do you prefer?
 
I use Fast Car for the reason that its spectral content is not so far from pink noise and so it facilitates spotting variations between two systems. And it's more pleasant than listening to pink noise :)

In the context here (out of band analysis), it helps understanding what actually happens with real music, as I like very much correlating measurements and listening experience. It's not often that we can use music to highlights issues or qualities of a device, because of its masking effet.

With a friend of mine, we spent several hours trying to find another track with the same spectral content and he found that a remaster of "The Police - Don't Stand So Close To Me" matches the criteria.

I bought and tested it. Here are the results (long term FFT peaks recording, and 1/6 smoothed, 20Hz to 20kHz) compared to Fast Car and Pink Noise:

IMG_8819.jpeg


I'll play with the Denon SACD and report here soon.

————
Flo
 
As transports, and provided the 600NE does not modify the digital signal before output, there’s no reason why they would sound different.

When testing CD players, I usually record couple of songs (including Fast Car) using my interface to compare with the same from a "reference player".

I then listen to them using Foobar and the ABX plugin to be sure I can differentiate who’s who. If the p-value I get tells me "I guessed" then no need to try identifying which one I prefer.

I can measure much more than what I can hear ;)
 
Thank you very much for this review, NTTY!

I find very interesting to see the effects of Denon's "AL" (previously "Alpha") processing. It seems that, for all intent and purposes, it is (currently) just a kind of slow roll off filter with some clever tricks just to detect test signals and improve the reproduction of them.

I also find your long term wide-band spectrum analysis of actual music tracks and pink noise interesting. As you have an SA-CD player, I would be very curious to tee the same measurement when playing back an SA-CD music track in order to compare the noise spectrum with CD playback. For testing with pink noise, there is this SA-CD disc which get some tracks with such signals :


Hi Scytales,

Couple of updates. First of, the AL24 is deactivated on the DCD-SA1, when playing SACD disc (DSD) which means it's only active with PCM input.

Here below, find an overlay of Pink Noise (Test track 8) and 1kHz @-16dBFS (test track 12):

Denon DCD-SA1_SACD_PinkNoise_and_1kHz_-16dBFS.jpg


I kept the view in dBFS on purpose so that the two traces overlay. You can see noise shaping starting just after 20kHz. Even with the single sine 1kHz, there is a massive amount of noise generated here. Is it part of the SACD recording, part of the DCD-SA1 conversion, or both, I can't know (EDIT: it comes from the DCD-SA1 conversion, see below).

Pink Noise (orange trace) on top shows that the noise generated by the noise shaping technique takes over the pink noise itself at roughly 55kHz.

Note that the tracks are only 20sec long. The Pink Noise is random, no periodic as a I use, but it does not change anything.

And as I've put a lot of the same view in linear scale before, and for the sake of comparison, I'll add exactly the same view as above, only change is linear frequency scale:

Denon DCD-SA1_SACD_PinkNoise_and_1kHz_-16dBFS_Linear.jpg


It gives a different perspective, especially as to the noise of concern generated by the Denon DCD-900NE and especially the Marantz CD6007.

I will now test the various music tracks and report later.

EDIT: This is below an analysis of musical content (1700+ FFT averages over more than 5min). I overlaid SACD layer (green), CD Layer (red) and a last option of the DCD-SA1 which allows conversion of DSD to PCM (blue) before going to the DAC (Linear Frequency Scale for a better view):


Denon DCD-SA1_SACD_DenonTests_Music_and_PinkNoise_Linear.jpg


The track (#27) in the Denon audio check SACD is Mahler: Symphony No. 2 in C minor "Resurrection" - 5th movement closing part (F.!) (Conducted by Wenceslav Neumann, Czech Philharmonic Orchestra, the choir, Gabriela Benachikova-Chapova (soprano), Eva Landova (alto))

Note that the view is in dBFS to let the measurements overlap. This is important because the pick of noise shown by green trace here, out of band, reaches -48dbr at 73kHz. Converted to % this is 0.4%...

This view shows that it is the player which is adding this shaped noise (green trace increasing starting from 25kHz). So when processing DSD data, there is a huge amount of noise added. This is not a surprise and I'd encourage you to read the Bartok review from Goldensound who showed massive amount of similar noise added when using DSD filters.

Back to our view above, the CD layer shows exactly the same overlay in audio-band. We see the low pass filter starting at 20kHz, which is the effect of ADC when creating/recording the CD at 44.1kHz.

Last and not least, the blue trace is an optional conversion from DSD to PCM before analog conversion (that the Denon DCD-SA1 offers). This view shows that there is probably noise created by the noise shaping technique on the DSD recording itself, but it is attenuated by the subsequent oversampling filtering of the PCM data stream.

And side note when it comes to the advantages of SACD over CD: at 22kHz we can still see "music", compared to CDA. That said, relative to the max signal, the difference is -80dBr vs -100dBr. In other words, even if the SACD can record and reproduce music beyond 20kHz, its energy is null, at least in this instance.

As per the above view, I'll continue sticking to CDA :p And so the Denon DCD-900NE is a killer.

--------
Flo
 
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Denon DCD-900NE - AL32 measurements

I think the Denon proprietary oversampling filter deserves a specific section, as it finds its roots back 3 decades ago.

As @bolserst wrote some time ago ago about Denon filtering, the first iteration of ALPHA processing by Denon featured an automatic filter selection based on LSB toggling, and which I could replicate too. Subsequent version of ALPHA processing included further intelligence in terms of filter selection.
Un-freaking-believable. :facepalm: They've basically been gaming the system (i.e. cheating) for decades. What's the saying again - when a metric becomes a target, it ceases to be a good metric? Someone clearly wanted to have their cake and eat it, too.

I wonder what's so bloody hard about taking your CD audio, digitally attenuating it by 2-3 dB and feeding it to your 24/32-bit DAC. That's all that would really be necessary when playing a CD. If you can't even do DSP filtering at a quality level that equals the DAC's built-in filters, then - to quote the Beatles - let it be.
 
Thank you for your CD player enthusiasm, NTTY!

Nevertheless, I never knew (and still don’t understand why) that CD players need any filters. Could someone explain this in simple words to me – and maybe to a few others too?
 
Thank you for your CD player enthusiasm, NTTY!

Nevertheless, I never knew (and still don’t understand why) that CD players need any filters. Could someone explain this in simple words to me – and maybe to a few others too?
The whole concept of digital audio (and digital anyything else) requires filtering.

Very basically:

When you digitally sample, the signal can only contain frequencies half that of the sample rate (The term used is the signal must be "band limited). So for the 44.1kHz sample rate of CD only 22.05kHz. Therefore before sampling, a low pass filter is used to remove any higher frequencies. Because filters are not perfect cut off, the filter normally is set lower than 1/2 sample rate - so typically 20kHz for CD.

When the digital signal is converted back to analogue, there are a lot of high frequency components left in from the conversion process that must be removed. For this, another low pass "reconstruction" filter is used again to remove them and leave you with a perfectly smooth analogue signal.

This (and more) is explained very clearly in this easy to follow video:
 
Thanks, but that still seems to be far too complicated to me ...

Do all professionally made Audio-CDs really contain data that is imperfect in a way that a DAC has to enhance it first, before actually converting it?
 
Let me try.

Problem: all DACs create unwanted data beyond 22.05kHz. They are aliases (replicates) of good audio data.

Root cause: a DAC has the unique function of converting a 16bit word (in the case of CD) into a voltage, and hold that voltage until next digital word comes.
By this mechanism, audio data are correctly created up until 22kHz. But additional data are also created beyond 22kHz. And they are copies, aliases of the good audio ones. For instance a 1kHz sine is “copied” at 23.05kHz. This sine at 23.05kHz is unwanted, it’s not musical, it was not part of the original recording.

Solution: to prevent this non musical content to be further processed by your preamplifier, amplifier and speakers, it is necessary to remove the artifacts, the aliases, beyond 22kHz.
As a convention, we accept 20kHz to be the limit and so it gives the engineers a 2kHz window (between 20kHz to 22kHz) to set an effective filtering, and thus ensure only true and good audio data are output from the CD player.

Illustration: The below measurement shows the difference between filtering and not filtering. The signal is a 100Hz square which is a sum of 100Hz sine and all its odd sines (300Hz, 500Hz, …). This signal was recorded on a CD audio, and played back with a player that filters correctly, and another that does not:

IMG_8827.jpeg


Only the red trace is wanted (musical I’d say). The green trace is what is added (unwanted), and was not initially recorded. The green trace is full of aliases, replicates of what is in red.

There is much more to say of course, but I think it’s enough to reply to the question.

————
Flo
 
So the source of the problem lays in the way DACs work? Or is all that unwanted data already be present on the Audio-CD itself, basically?
 
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