Long time Denon user, (despite the measurements and various advise on this forum) couldn't resist the deal for an openbox Arcam AVR20 for £2240 (new retails for £3199). First thing I noticed is 'transformer hum', may be not audible for average user but I certainly did (and family members once I explained what to listen). Did the unit SW update, which is painfully slower compared to any other devices I used that supports OTA update.
Once the basic speaker config is done (my speaker layout is 5.x.4 but only used native 5.1.2), tried music streaming using Tidal HiRes MQA files and was happy to see 192kz decode (in the web i/f). Music did sound good. However, its a pain to get the streaming app working - it takes forever to find the AVR and often doesn't! Same with the control app.
Now time for Dirac calibration, the fundamental reason for me wanting to (potentially) switch to another AVR is Dirac Live Bass Control and the promised use of full range speakers for bass distribution. FWIW. I am an experienced user with multiple subs, bass response optimised for 4 listening positions including sidewall seat using minidsp 2x4 with filters created by MSO (multi sub optimiser). I used a umik-1 microphone and did the 'wide imaging' calibration. AVR crashed halfway through but Dirac SW was happy to continue from where it was (a major issue with Audyssey MultiEQ app that it starts from beginning if interrupted). I was impressed with the Dirac app and how much info it presented during filter design (upmix mode). I had to use separate measurements from calibration positions using REW to visualise same for Denon or use ratbuddyssey by exporting measurements from audyssey MultiEQ app to see just FR. I didn't *hear* any difference between Dirac and Audyssey in my room, however, I only correct below the room schroeder frequency (speakers: Revel Performa3 floor standers and Center). I am not sure what Dirac offers in bass management that one couldn't do by a few measurements and phase align Mains + Sub (or subwoofer distance hack by listening if you can't measure Sub delay wrt Mains). Creating target curves is breeze in Dirac vs. the painstaking editing on MultiEQ app (I use offline search/replace of target curve as described in ratbuddyssey avsforum thread).
I am not an audioholic, so don't understand the word 'sounds musical' people vouch about. So for me, once calibrated, both Denon and Arcam in Stereo sounded fantastic in my room. For movies, both supports every format I can think off - including Auro3D I use for non-multichannel upmix. My experience with Denon was better watching 'Ford vs. Ferrari' in Atmos - could also be due to the 5.1.2 vs 5.1.4 config. (.1 is same in both case - XTZ 12.7 edge subs are driven via minidsp 2x4).
Summary: I can't justify 2x cost of Arcam at all. The unit is still buggy, Apps are temperamental in connecting to the device, native 7 channel amps vs. 9 in Denon, no multisub support - requires $499 paid full bass management option (minidsp 2x4 + umik-1 costs <$200 and more flexible), no front HDMI. Personally, I didn't like Dirac corrected sound either.
May I take the opportunity to thank Amir and the wonderful forum contributors.
Once the basic speaker config is done (my speaker layout is 5.x.4 but only used native 5.1.2), tried music streaming using Tidal HiRes MQA files and was happy to see 192kz decode (in the web i/f). Music did sound good. However, its a pain to get the streaming app working - it takes forever to find the AVR and often doesn't! Same with the control app.
Now time for Dirac calibration, the fundamental reason for me wanting to (potentially) switch to another AVR is Dirac Live Bass Control and the promised use of full range speakers for bass distribution. FWIW. I am an experienced user with multiple subs, bass response optimised for 4 listening positions including sidewall seat using minidsp 2x4 with filters created by MSO (multi sub optimiser). I used a umik-1 microphone and did the 'wide imaging' calibration. AVR crashed halfway through but Dirac SW was happy to continue from where it was (a major issue with Audyssey MultiEQ app that it starts from beginning if interrupted). I was impressed with the Dirac app and how much info it presented during filter design (upmix mode). I had to use separate measurements from calibration positions using REW to visualise same for Denon or use ratbuddyssey by exporting measurements from audyssey MultiEQ app to see just FR. I didn't *hear* any difference between Dirac and Audyssey in my room, however, I only correct below the room schroeder frequency (speakers: Revel Performa3 floor standers and Center). I am not sure what Dirac offers in bass management that one couldn't do by a few measurements and phase align Mains + Sub (or subwoofer distance hack by listening if you can't measure Sub delay wrt Mains). Creating target curves is breeze in Dirac vs. the painstaking editing on MultiEQ app (I use offline search/replace of target curve as described in ratbuddyssey avsforum thread).
I am not an audioholic, so don't understand the word 'sounds musical' people vouch about. So for me, once calibrated, both Denon and Arcam in Stereo sounded fantastic in my room. For movies, both supports every format I can think off - including Auro3D I use for non-multichannel upmix. My experience with Denon was better watching 'Ford vs. Ferrari' in Atmos - could also be due to the 5.1.2 vs 5.1.4 config. (.1 is same in both case - XTZ 12.7 edge subs are driven via minidsp 2x4).
Summary: I can't justify 2x cost of Arcam at all. The unit is still buggy, Apps are temperamental in connecting to the device, native 7 channel amps vs. 9 in Denon, no multisub support - requires $499 paid full bass management option (minidsp 2x4 + umik-1 costs <$200 and more flexible), no front HDMI. Personally, I didn't like Dirac corrected sound either.
May I take the opportunity to thank Amir and the wonderful forum contributors.