Just for the Hifi history interested, Technics had such already in 1985 and it measured and sounded quite well.I found the design Thiel achieved with this coaxial fascinating, especially the fact they managed to "flatten" the mid driver to, among other things, reduce the usual reflection problems with a tweeter mounted in the middle. Image here:
True, although with good engineering you can make even with flat membranes a coaxial driver with excellent directivity and resonance control / time decay, https://www.stereophile.com/content/technics-premium-class-sb-c700-loudspeaker-measurements, the experience and research of a giant like Panasonic makes itself paid there.A flat midrange doesn't make a waveguide for the tweeter. Also time alignment with LR2 crossover isn't "naturally" helped. A flat membrane is more prone for resonances.
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I also recently discovered the Seas Excel C18EN002. Has anyone built speakers using these drivers? I'm sure they sound great.
This is from the now "old" R series and one generation behind of the current one which should measure even better.The driver used in KEF's current R series was measured by AudioExcite and gave very impressive measurements.
I also recently discovered the Seas Excel C18EN002. Has anyone built speakers using these drivers? I'm sure they sound great.
In some ways as good as the best electrostatic speakers I've listened to -- perhaps slightly less detailed and controlled, however the most natural sounding presentation I've heard. The sound that I heard through these was so open and uncompressed -- effortless like a ribbon panel.
This is very country specific. There are a fair few Tannoys here in the UK and I have never seen any of the US models (it could well be they were never exported, the US market being huge they perhaps didn't feel the need)Unfortunately, I don't know many folks with Tannoys, so I don't have much ears on experience.
The crowd I fell in with are mostly Altec, JBL, and RCA fanboys I developed a rather expensive taste for many things Altec, as a consequence.
The dynamics, effortlessness, and midrange "real-ness" of the Duplexesare superb (and, by modern standards for loudspeakers, even affordable).
Lowthers are very coloured. Rather like a big version of a 1940s radio.Dunno -- my understanding, though, is that's essentially the way the Lowthers work. The Lowthers' whizzer cones aren't strictly parasitic (as I understand it, which is minimally), but actually have a portion of the "main" VC winding driving them.
EDIT whoops, it's the polar opposite of the Lowther design -- inductively coupled, eh? hmm...
That said -- y'all ever heard Lowthers? They're -- an acquired taste, I'd opine.
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The Lowthers date back a long ways (late 1940s)
http://www.lowthervoigtmuseum.org.uk/history.html
I don't disagree -- they can sound scary-good with some program material & sources, though -- well recorded mass choirs, e.g. They nail plainsong, IMOLowthers are very coloured. Rather like a big version of a 1940s radio.
The acoustas are the ones my great aunt had.I don't disagree -- they can sound scary-good with some program material & sources, though -- well recorded mass choirs, e.g. They nail plainsong, IMO
They're horrible with multitrack mono, highly processed 'pop' music, though (again IMO).
There are also so many different flavors of enclosures that it's hard to make a blanket statement, other than -- that they're an acquired taste.
I am not a huge fan (although I like the iconoclasm of using Lowthers, I must admit).
Is any of this measurable? Like where on the spinorama or other charts can I find detail, control, or natural sounding? Open? Uncompressed? Effortless? It just seems like more psychoacoustics to me.