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Oh, and heavier, too. Don't forget heavier.
This helps keep ceramic high-tension power line insulators in contention (although most aren't too expensive on the aftermarket).
Manufacturers build to a price it makes sense that in a more expensive product there are less constraints.
Fortunately for us technology might in time trickle down.
Keith
They work great, for easier cleaning. I've used simple M and W 2" wide blocks for 45 years. They are made from 1" thick hardwood and two are glued together,
sanded, and then painted to a high gloss. They don't collect dust and are easy to remove and clean completely once a year or so. I use silks to cover all my
equipment too. Some of those silks are over 75 years old and EASY to clean once a year with Wool-lite and a one day soak. They don't collect moisture or
dust that a 5 minute dryer toss won't clean. I change silks to match the season. They WON'T cause surface scratches in the wax if you wax your gear. I do.
I have gear 60+ years old, that looks brand new behind silks that cost 10.00 usd in a 2nd hand store.
It was a humorous comment by @Purité Audio I think In audiophool land - and it appears especially in the far eastern audio markets, the price tag is EVERYTHING in high-end audio, irrespective of what goes on inside (or not, as the case may be). I was told once by a small maker that more than doubling his selling price for a valve based phono stage he made, actually brought about more sales due to the perceived value being increased as it was judged too cheap before.
Here in the cash-strapped UK, a few makers try to keep a local high end industry going, but they often get found out when properly rigorously tested, so don't usually get their products properly reviewed. Only the 'influencers' around and about 'spread the word.'
Back to topic, I don't think cable risers have made any inroads here apart from maybe one or two die-hards