Right, so basically the "explanation" of Vinyl renaissance is that Taylor Swift started selling vinyl successfully, seeing the profits, other artists followed?
Of course Swift and others followed...they followed the trend: a vinyl renaissance which has made vinyl significant again, culturally and financially. They didn't create the revival; they were pulled in to it.
Anyway, let's talk numbers for Swift. Her most popular album sold a massive 29,649 vinyl copies in the US in the period concerned, as noted (though the new release will do more, I guess). She probably has that many tracks (note the difference of course) streamed every few minutes. If she announces a concert, that number of tickets sells out in seconds.
Perspective. Vinyl sales are irrelevant, except to some independent artists who finally see some money from selling small numbers of LPs at a decent profit, and to a few audiophiles. CD sales are supposedly a little higher this year.
"Irrelevant" will always be essentially a subjective description.
But people (who downplay the vinyl revival) so often point to how it's a streaming world now, and vinyl sales pale in comparison to the number of streams. The first thing to point out is that streaming is in a sense not directly comparable to physical media in terms of it's significance and engagement for the listener. I mean, my wife will say to Alexa "play Backstreet Boys" and I'll be subjected to hours of Backstreet Boys songs (ready to put screwdrivers through my ears). My wife is barely listening, the music is constantly streaming those songs while she's doing any number of things, even when she's in some other part of the house not listening, it continues to stream. She's become a "Swifty" too, and so it's the same with Swift's music in our home "Play Taylor Swift" and it just streams endlessly in the background, adding to her streaming numbers. So the way streaming is used can in of itself naturally inflate the numbers, especially in terms of the listener engagement. Whereas physical media like vinyl, when people play the record, they tend to really listen.
That said...if, because it's a streaming world, vinyl sales are so insignificant, that would suggest that the top selling artists would be the least interested in releasing on vinyl. It would be the little indie bands who are most compelled to make money with vinyl, since most except for the top artists make little from streaming revenue. Vinyl sales should be so insignificant big "streaming" acts wouldn't bother.
And yet what we see is that virtually all the top selling artists are compelled to put out their music on vinyl! Why? Because it really is a significant factor, in terms of cultural cred these days, but also for earning additional money.
Take the current example of Taylor Swift.
As per the Billboard article: Her new 1989 album sold 693,000 copies on vinyl in its first week. A quick look at prices for her double LP range from around
$40 to over $100 depending on the version.
So if we round it off and say they are selling for $50/LP, then 693,000 X $50 =
$34,650,000. !!!!!
This is what I could find for how much Taylor's music makes from streaming:
Taylor Swift is in the process of re-recording her early albums, on top of creating new music. But how much money are these re-records bringing in?
scrippsnews.com
"After analyzing Spotify data, a recent estimate says the three re-released albums are potentially bringing in more than $8.5 million per month in streaming royalties alone."
About $102 million per year from streaming.
So to compare:
For streaming her 3 big albums, Taylor's music earned
102 million dollars over a year.
Her SINGLE Vinyl release for this year
sold 34 and a half million dollars....in a single week!
I can see why Swift...and other top selling artists in streaming also see vinyl as quite significant.