I was worried about the quality of the internal DAC and the 48KHz internal Dirac processing. I decided to go for it, to let me play with 2ch Dirac without footing the bill for an SHD unit.
The DDRC-24 is excellent. After I installed it and set Dirac to give me a NAD RoomFeel type EQ, I’ve never looked back. I have other technically better DACs (inc. ADI-2) but - to my ears - the benefits of Dirac calibration and a nice target curve are huge and significant, and more than compensate for the technically inferior processing and DAC chip performance.
All in all, it wouldn’t surprise me if a DDRC-24 could make you happier than your SU-9.
I tried the MiniDSP HD (same unit without Dirac). The DAC was so awful in comparison to my Musical Fidelity V90 (not the latest word in DACs but very smooth vocals with extremely gentle but pleasant treble rolloff) that even after separating subs and carefully calibrating with REW, the MiniDSP HD went straight back to the seller. The MiniDSP DAC offered extremely grainy, harsh vocals. Sounds became thinner and unnatural sounding. Awful in comparison to the MF V90. No way I was going to "upgrade" to worse sound. Having a
second go now at DSP correction with MathAudio Room EQ. Full info at the link but it's going much better using the MF V90 as the system DAC, starting with careful manual setup of the system using REW (sounds good without DSP) before adding absolutely minimal corrections (nothing like flat response).
No mid-bass hump and significantly more clarity in
many vocals. Still not sure I prefer the music with DSP as without (the soundstage has lost some depth,
some vocals sound a little less natural/live).
MathAudio Room EQ is just $100 unlike Dirac at $350 and Arc at €240 and Sonarworks at €249 or Waves at €399 or MiniDSP DDRC-24 ($449 + shipping). Works with your existing UMIK-1 (or similar calibrated microphone) easily cross-checked with REW (here's the interface superimposed on the REW
after measurement.
I like how simple and minimalistic MathAudio RoomEQ is and that it's based in AU or VST plugins. I don't want a complicated additional program which could easily become incompatible with a new version of the OS or start to crash a computer (interfering with CoreAudio is a great way to render a computer unstable). In terms of playback from iOS, external player or CD (have all of those), I carefully set up the system (2.2 stereo, stereo-subwoofers) not to depend on DSP to sound good. It sounds fine without DSP. As I listen most from the Mac Pro, having DSP just on it is probably enough. When required, the NAD C165BEE allows me to tweak balance and (rarely) tone (mostly it stays on tone defeat). Old school.