Yes, it's coming soon!a project with PFFB implementation
The ZA3 comes standard with a 48V PSU at the price $149.99. You can also choose the 32V PSU version for $129.99.In US, where do you buy it at that price?
I have only seen non-XLR version?
Please, Make it clear.The ZA3 comes standard with a 48V PSU at the price $149.99. You can also choose the 32V PSU version for $129.99.
If my experience is any guide, you can stand down from red alert on that issue. I power the two A07s in my system from a single 10A industrial SMPS, and it runs so cool that I disabled its fan with no ill effects. I doubt a suitably rated "power brick" would get anywhere beyond warm to the touch in normal audio use.I would never buy an amp with an external power brick. It's as big as the amp and you have to put it somewhere. It would be interesting to know how hot that external brick gets after an hour of use. Made in China Fire Hazard? I would certainly unplug the power brick when not in use.
Two reasons:
I have the same subjective experience. I assume it's more laidback sounding (absolutely not muddied) vs my Audiolab 6Ka and paired with Wharfedale Lintons.It may be lacking some bright compared to the PA5 and Aiyima A07 in the exact same system. Purely subjective. It's my system and I listen to it every day and 'dark' was the first thing I thought when I played this amp, but like I said, it's probably just less bright.
Please hurry.I need to get one of these amps to the designer to troubleshoot.
The other button is key in book which is support for balanced XLR input to help in avoiding ground loops:
I use two ZA3's for mono and like the other comment, the bricks get lukewarm at best. I did notice the ZA3's (while running in mono) feel a bit warmer, although nothing to be concerned of.I would never buy an amp with an external power brick. It's as big as the amp and you have to put it somewhere. It would be interesting to know how hot that external brick gets after an hour of use. Made in China Fire Hazard? I would certainly unplug the power brick when not in use.
Lets see if it comes close to the 3e audio 260-2-29A amplifier, as this seems to be the "state of the art" for TPA3255 based amplifiers.Yes, it's coming soon!
But in practical terms the ZA3 amp has features I need and use that the V3 doesn’tLets see if it comes close to the 3e audio 260-2-29A amplifier, as this seems to be the "state of the art" for TPA3255 based amplifiers.
Regarding this ZA3:
a) it measures worse than the V3
b) it costs more than the V3
c) it has a poor XLR implementation
d) it has a poor mono implementation
e) it seems to have better heat dissipation (and cabinet)
Simply adding a gold anodised knob and a few more switches does not constitute audio engineering; it is merely a lazy marketing tactic to boost sales.
Innovation is defined as something new that brings satisfaction and value to the customer. Therefore, an audio company should focus on providing genuine value to the customer.
Consumers do not typically perceive gadget features, lower specifications, and higher prices as innovation. Good engineering is what truly constitutes innovation.
Fosi Audio had to balance innovation with marketing for both the Chinese and global markets.
I never got it either. It seems so unnecessary.I can't understand the filtered sub out. An unfiltered pre out is more flexible, subwoofers have their own filter anyway.
From my understanding the mono mode just shuts down one channel, resulting in more power to the other one with the same PSU. No bridging is done.Please, Make it clear.
"Mono" on ZA3 means BTL, PBTL or just one-channel possible?
It is very confusing.
I kind of disagree, as I'd rather have up-to full level coming down the interconnects and decide the overall level of attenuation on the power amp (which I do currently myself as my power amps have level controls on them). Fifty years ago, noise could be an issue but maybe far less of an issue now perhaps?+1 to that!
Volume should come out of the DAC.
Power amp should have zero volume control, and (at worst) MAYBE three gain settings (lo / med / hi)
Oh and the frequency response is shockingly bad.
Quite important with an amp that is not load dependent, has good FR (the most important criterion?). But okay, if you want to color the sound, why not.It seems odd to me how a load dependent amplifier gets the praise it does.