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Review and Measurements of Benchmark AHB2 Amp

radix

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any full size preamps that do ? or come close?
No. Most hifi gear will be around the 4V mid-gain. Some would come close (as people responded above). You need something that is about +19 dBu @ 0 dBFS. RME ADI-2 DAC FS, for example, can do that. Probably other pro-like gear too. I think a lot of hifi gear is closer to +12 dBu or +13 dBu (i.e. 4V, more-or-less). You would also need to see if that is a "max" output, or a "max at rated" output, meaning that it can do that voltage while maintaining the SINAD or THD+N specs.
 

BKr0n

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What does it use for its power amp section? Looks like chip amps.
 

quattro98

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What does it use for its power amp section? Looks like chip amps.
You can see the discrete output transistors mounted to the heat sinks. They are bipolar according to Benchmark.


 

Kal Rubinson

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The AHB2 has about the same noise performance in all settings. However, you will be hard pressed to find 4 Vrms or 2 Vrms outputs that can deliver a 132 to 135 dB SNR to match that of the AHB2.
Hard pressed but doable. ;)
 

RndmLstner

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Benchmark Media Systems (AHB2, etc) currently has a 10% off orders over $3798 w/ free shipping promo for Black Friday/Cyber Monday. That being said, this merely reduces the price of many items to what they were regularly priced a year ago (or still slightly more....AHB2 went from $3000 to $3500). Alas, if you've been considering buying new AHB2's, it's still savings.
 

rdenney

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any full size preamps that do ? or come close?
Most classic preamps will drive 8-12 volts RMS output into unbalanced RCA plugs. The problem there is that the line amps in those preamps are probably not as clean as the input amps that Benchmark uses to increase gain. I think I'd rather use the bottom half of the output capability of my B&K preamp, for example, into the medium gain input of the Benchmark--my bet is that would be the cleanest option.

Going into my Buckeye amp's balance inputs, I have a balanced converter that uses the THAT 16xx chips to create the amplified negative side of the positive unbalanced signal. That provide 6dB of voltage gain. That's not quite enough to take the 2-volt (unbalanced) line-level output of, say, a CD player up to the low-gain input of the Benchmark, so I it would not allow the preamp I'm using in that system to bypass it's line amp and still get access to the full amplification of the AHB2. But it will certainly take any preamp line-amp output with (typically) 6 or more volts RMS unbalanced output up to the necessary 12 volts RMS.

I have a small cheapie Yamaha mixing board that will drive up to 12 volts (+24 dBu) RMS balanced output. This means that the main fader (which controls the gain on the main output line amp) will drive the Benchmark amp in low gain to full power plus a little bit. There is a distortion penalty for getting so close to the line amp's maximum output, but that's a good trade for having so much of the fader range available. As Mr. Siau states above, that's the purpose of the low-gain input on the amp.

Having choices for the gain structure is a good thing.

Rick "knowing of no conventional consumer active preamp that is as clean as the AHB2" Denney
 

radix

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Most classic preamps will drive 8-12 volts RMS output into unbalanced RCA plugs.

My Mcintosh C30 (1985-87) will drive up to 10V at 0.002% THD (compared to 8V at 0.0003%), but above that the noise spikes. It will go up to 15V or so, but I don't think the last few volts are usable. It has a +- 18V rail. Maybe there's some more caps I need to replace in it, or maybe the old NE5532 need a refresh.
 

Angsty

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Rick "knowing of no conventional consumer active preamp that is as clean as the AHB2" Denney
HPA4? LA4?

 

rdenney

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The HPA4 is, I’m sure, excellent. But it is anything but a conventional preamp with four line-level inputs and no tape or external processor loop. I make no complaint, and maybe my definition is too old-man. But for me a conventional preamp is fully featured in the way that was defined when people routinely used phono inputs.

Rick “probably too narrowly defining ‘conventional’” Denney
 

rdenney

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Which looks interesting. Perhaps viable for those in the market for an AHB2. I don’t think anybody has seen specs yet, though.

And I think Marantz makes a prepro or AVR with a full range of inputs that could serve. But it’s 15-20 dB shy of the AHB2 performance (still transparent).

I’ve never seen a full-featured preamp with better than 105 dB SINAD. The best traditional analogue preamps are in the 90’s.

Rick “can’t hear better than that anyway” Denney
 

pogo

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I’ve never seen a full-featured preamp with better than 105 dB SINAD.
See M33 in preamp mode.
The pure preamp M66 should top that again ;)
 
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Sokel

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Most classic preamps will drive 8-12 volts RMS output into unbalanced RCA plugs. The problem there is that the line amps in those preamps are probably not as clean as the input amps that Benchmark uses to increase gain. I think I'd rather use the bottom half of the output capability of my B&K preamp, for example, into the medium gain input of the Benchmark--my bet is that would be the cleanest option.

Going into my Buckeye amp's balance inputs, I have a balanced converter that uses the THAT 16xx chips to create the amplified negative side of the positive unbalanced signal. That provide 6dB of voltage gain. That's not quite enough to take the 2-volt (unbalanced) line-level output of, say, a CD player up to the low-gain input of the Benchmark, so I it would not allow the preamp I'm using in that system to bypass it's line amp and still get access to the full amplification of the AHB2. But it will certainly take any preamp line-amp output with (typically) 6 or more volts RMS unbalanced output up to the necessary 12 volts RMS.

I have a small cheapie Yamaha mixing board that will drive up to 12 volts (+24 dBu) RMS balanced output. This means that the main fader (which controls the gain on the main output line amp) will drive the Benchmark amp in low gain to full power plus a little bit. There is a distortion penalty for getting so close to the line amp's maximum output, but that's a good trade for having so much of the fader range available. As Mr. Siau states above, that's the purpose of the low-gain input on the amp.

Having choices for the gain structure is a good thing.

Rick "knowing of no conventional consumer active preamp that is as clean as the AHB2" Denney
There are some around,an example:

dena.PNG


Only 2/4V output though.
 

rdenney

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See M33 in preamp mode.
The pure preamp M66 should top that again ;)
What’s the maximum output at rated distortion?

Rick “was talking about conventional preamps with 8-12 V RMS peak output” Denney
 

pogo

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What’s the maximum output at rated distortion?

Rick “was talking about conventional preamps with 8-12 V RMS peak output” Denney
M33 preamp mode: 4Vrms (ref. 0.1% THD)
M66 preamp: Data will be available in a few weeks and should typically be >8Vrms
 

rdenney

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M33 preamp mode: 4Vrms (ref. 0.1% THD)
M66 preamp: Data will be available in a few weeks and should typically be >8Vrms
So, 4V at -60 dB distortion for the M33? If that means 2V at rated distortion (let's say, -95 dB), then I would probably prefer the gain preamp in the Benchmark and only use the bottom half of the M33, as I suggested in my first post. This certainly does not answer the call of a preamp that matches the performance of the amp, especially using its low-gain input. And it's not even on a par with the close-to-best of old-tech analog preamps like my B&K MC101.

If the M66 has twice the voltage output with the same performance, then we still aren't there. That does NOT mean it isn't competent, and it does have a lot of nice features for people who stream their music.

I think what this means is that with the Benchmark amp, the amp is no longer the weak link in the distortion and noise chain, at least with respect to the electronics. That shifts back to the preamp, if we want a full-featured preamp.

Rick "not that it really matters" Denney
 

radix

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I’ve never seen a full-featured preamp with better than 105 dB SINAD. The best traditional analogue preamps are in the 90’s.

The Anthem STR preamp was measured on Audioholics.@ 106 dB SNR analog (1V in, 2V out) and 110 dB SNR digital (0dBFS in, 2V out).


With 1Vrms in and 2Vrms out, I measured 106dB SNR (a-wt) and 110 dB (a-wt) driving a digital input with 0dBFS and 2Vrms via the balanced output.

Anthem claims 120 dB (a-wt) for unbalanced and 118dB (a-wt) for balanced at 2Vrms output level. They got these higher figures by driving the inputs at 2Vrms (unbalanced) and 4Vrms (balanced), respectively, while measuring 2Vrms output ,which is good for specmanship but not very practical in real world usage. You can see by simply altering the input level of my test from 1Vrms to 4Vrms, would yield a 12dB higher value or (106+12) = 118dB (a-wt) validating their spec for the balanced output. This measurement is very good nonetheless. The STR preamp has very low noise.

I'm not sure what it would be like at 4V or more output. It's rated at 6.6Vrms max output on XLR.
 

rdenney

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The Anthem STR preamp was measured on Audioholics.@ 106 dB SNR analog (1V in, 2V out) and 110 dB SNR digital (0dBFS in, 2V out).




I'm not sure what it would be like at 4V or more output. It's rated at 6.6Vrms max output on XLR.
That looks nice. It would need the amp's high-gain input, but that's no knock. It's out of my league, price-wise, but then so is the Benchmark amp :)

Rick "impressive" Denney
 

Bridges

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This is a review and detailed measurements of the Benchmark AHB2 Amplifier using THX technology to reduce distortion. I was going to request one for testing due to membership demand but to my pleasant surprise, the company volunteered to contact me and send not one, but two units! I requested the second one because of something I was seeing in the measurements that turned out to be my issue, not the amp's. The AHB2 retails for US $2,999 from the company direct.

The AHB2 is a very compact form factor, enabled by use of switching power supply to increase efficiency/density:

There is just a power switch in the front. It might be but I constantly reached for the screw next to it to power it on! Having the power switch be slightly different color or shape may help with this.

There are a set of LEDs that show the status of the amplifier. They are driven by an FPGA (field programmable digital logic) that monitors all aspects of the amplifier and shuts down the unit if stressed. It did so very quickly and efficiently in my testing. Usually this is done with purely analog or maybe a small microprocessor. As such, the coverage of scenarios that could damage the amplifier is much less complete than using the approach Benchmark is using in AHB2.

Here is the back panel:

This is a very minimalistic approach given the small amount of real estate available. Only input is XLR balanced which is just fine in my book. A gain switch allows the input level to be controlled so that you can just use an RCA to XLR adapter and still get full power (2 volt max in high gain). At the other extreme, the low gain setting is designed for professional pre-amps with lots of output, getting its max power at 9.8 volts. Using this scheme, the signal to noise ratio can be improved as you will see in measurements later.

For speaker terminals there are two sets: classic heavy duty banana jacks and SpeakOn. The SpeakOn are locking and provide the best performance. I lost about 3 dB of performance using the banana jacks due to less secure connect there. So the measurements you see are with SpeakOn jacks.

Another minor nit on that note: I had a rather cheap SpeakOn cable and its plug was just large enough to hit the silver screws that the sockets are mounted with. Typical round shaped SpeakOn ones are not an issue. Flush mount screws would solve this problem.

There is a switch for selecting stereo or mono bridged output. The latter quadruples the amount of power available and unlike typical bridging, according to Benchmark comes at no penalty in distortion! I plan to test this later as it has a minimum impedance of 6 ohm so I could not use the 4 ohm setup I used for this testing.

There is a very beefy AC mains cable with really nice locking tabs. Insert it and it stays put unless you push the two red tabs on each side. Nothing is more aggravating than the AC cable coming half-way lose from the IEC socket.

Being a proper company of course the AHB2 comes with full set of regulatory/safety/emissions certifications which is super important with power amplifiers given the high voltages and currents running around in them.

In use the AHB2 stays very cool for a power amplifier when it is idling, outputting little power which was a nice surprise.

As to THX technology, it merges a low-power but very low distortion amplifier with a high power but higher distortion amplifier. The distortion of the latter is not seen because it is producing so much power (so the ratio of distortion is lower). The general scheme is not new, dating back to 1980s but new implementation is. We have seen this in stellar performance of Massdrop THX AAA 789 amplifier which broke new ground in level of distortion and noise. Will the Benchmark AHB2 manage the same? Let's see.

Power Amplifier Audio Measurements
As usual, I start with my 5 watt output test using 4 ohm load using SpeakOn terminals as noted:

View attachment 26575

I hope your jaw is on the floor just like mine was when I saw this picture emerge! :) 113 dB THD+N in a power amplifier? Are you kidding me?

Look at the harmonic distortion. The worst case spike is below -130 dB! This is insanely good. Of course this type of SINAD (signal and noise ratio) crowns the Benchmark AHB2 as the best I have ever tested:
View attachment 26576

The performance was so good I literally had to rebuild my dummy load to get there. Even the quality of the metal used in the connectors matters to get to this level of distortion. I replace all my dummy loads with higher precision ones that have much less VCR (voltage coefficient of resistance). Resistor values can become voltage dependent creating distortions of their own. Up to about 105 dB of THD+N, it doesn't matter but beyond that, the VCR was the dominant distortion, not the Benchmark AHB2 amplifier!

It was requested that I show the breakdown and distortion so here we are:
View attachment 26577

Our best case hearing threshold is -116 dB SPL so no question that this level of distortion is totally inaudible. Separating the noise from THD, we see that it is noise that we are measuring as THD+N, rather than distortion:
View attachment 26578

And this is with exceptional noise performance of Benchmark AHB2 as we see in the graph of THD+N versus power:

View attachment 26579

Even in high gain, the AHB2 easily outperforms the DIY Hypex NC400 I had tested before which used to be the best amp I had tested.

We have 185 watts of power at incredibly low distortion of 0.00016%, besting the company specifications.

Note that the FPGA protection mode kicks in and essentially shots the amplifier down past the limit. You get absolutely distortion-less and noiseless performance until there is no more.

EDIT: here is performance in bridged mode using same 4 ohm load:
View attachment 26592

You get 500 watts of stunningly clean power. Protection circuit shut the unit down after that so it is quite safe to try. With a THD essentially matching the non-bridged mode, there is no reason to be afraid of trying this.

Intermodulation distortion versus power level shows the same story of clean power:

View attachment 26580

If you want to know what you get for extra money over bargain amplifiers, you can see the difference in the above graph. We are not talking about 5 to 10 dB but whopping 40 dB better!

I have had requests for intermodulation distortion using dual 19 and 20 kHz tones. Here is that:
View attachment 26582

THD+N versus output level looks far cleaner than anything I have tested before:

View attachment 26583

Even at the limit of our hearing (20 kHz), we have vanishingly low amount of distortion. The graph is exaggerated so shows a rise there but in absolute levels, despite 90 kHz bandwidth of the test, we have incredibly low THD+N of just .004%.

The sharp spike at 45 Hz in green shows the amplifier going into protection mode. So don't pump that sine wave continuously into it at 133 watts. :)

Frequency response is exceptional too as expected:
View attachment 26581

Since this is not a switching amplifier, there is no filter there allowing the bandwidth to go to 200 kHz and beyond. Lowest band of AM radio is 450 kHz so likely you could use the AHB2 for an AM radio transmitter! :)

Usually when we test switching amplifiers we see all kind of "interesting" things in their outputs above hearing range. The AHB2 is a classic configuration albeit, with a switching power supply so all is well and clean here:

View attachment 26584

My reference graph for the Hypex NC400 used an AES filter (by accident) so I ran the AHB2 both ways, with or without that filter. Using the filter (in green) so the two are equal, we see much cleaner spectrum below 200 kHz and of course, no massive switching spikes. Worst case spike is below -115 dB. In other words, the Benchmark AHB2 is clean even in the areas you are not looking! It is like a restaurant scrubbing their parking lot with soap and pad as well as their dishes. :)

My loose wires on dummy loads is not the best setup for measuring crosstalk but here it is anyway:
View attachment 26585

Where our hearing is most sensitive (2 to 5 kHz), separation is around 100 dB which is way, way more than we need. Despite the small enclosure, the AHB2 manages exceptional numbers here.

EDIT: forgot to run the classic SNR test in the original review:
View attachment 26636

Wow, assuming you play at peak of 120 dBSPL, your noise floor will be at -10 dBSPL! That is absolute silence.

Conclusions
It goes without saying that the Benchmark AHB2 breaks new ground with respect to performance of power amplifiers. Using it, you can be assured that any distortion that you hear is from other sources (speaker, source, content, etc.). This is what I look for in high-end audio: absolutely the best performance so no second guessing is involved. You buy once, and you are happy forever!

All of this comes from a company that is a model of transparency with proper and accurate measurements of their products on their site. And importantly, volunteering to have that data shown to be correct by independent sources such as us. Support form the company for me at least has also been exceptional.

Yes, $3,000 is fair bit of money but is pocket change in high-end audio. Sales tax is higher than $3,000 for most of those products! I hear a lot of talk from audiophiles to have the equipment get out of the way of enjoying the music. Well the Benchmark AHB2 at levels that assuredly passes full transparency. So if that is your moto, you better stop buying boutique products with no specs and independent measurements and get an AHB2. Everything you hear then will be what is in your source, not the dirty dishes that your amp my serve your food on.

Needless to say, the Benchmark AHB2 gets my strongest recommendation for power amplifier. The pink panther agrees, having hit the ball out of the park after I took that shot!

------------
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I disagree that this is a reasonably priced power amp. On top of that they sell direct so their profit margin must be huge. Also they are using technology very similar to Carver SS amps of the 80"s and 90's that you can buy for 400 dollars that have twice the power.
 

radix

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It's out of my league, price-wise
I got mine used for $2.5k. Still expensive, but tolerable. I really like the UI/UX of it. And it has a good MM/MC preamp, so I was able to sell my prior phono preamp. I think NAD with DIRAC would be the competition.
 
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