Low B+ is super common for so-called "tube buffers." Not because of safety but because it's cheap and no-one on the buyer end cares if the performance sucks as long as they can bask in the knowledge that they have tubes in their systems. There ARE some tubes which perform OK (i.e., mediocre but not horrible) at low voltages, generally targeted at the 1950s auto radio market, but they are not fashionable.Then again, maybe the plate voltage is really low so that it is not totally unsafe, and hence there is almost no linear region.
General question. Why not measure FR (SPL) of the system at listening position? Tube integrated amp + speaker?
Why did you measure the distortion of the different tubes? No one rolls tube to get lower distortion, the only purpose of tube rolling it to change the sound. Different tubes can produce a range of dramatic changes from frequency response to imaging to dynamics.
Haha! @JBNY, you're hollering down a well. I totally agree with your statement of the purpose of tube rolling and the results in subjective listening. But around here your assertions will tend to dismissed and likely ridiculed.Why did you measure the distortion of the different tubes? No one rolls tube to get lower distortion, the only purpose of tube rolling it to change the sound. Different tubes can produce a range of dramatic changes from frequency response to imaging to dynamics.
Plus, there's little doubt in my mind that plate-starved triodes will have a... heaven help me... sonic signature.Low B+ is super common for so-called "tube buffers." Not because of safety but because it's cheap and no-one on the buyer end cares if the performance sucks as long as they can bask in the knowledge that they have tubes in their systems. There ARE some tubes which perform OK (i.e., mediocre but not horrible) at low voltages, generally targeted at the 1950s auto radio market, but they are not fashionable.
Haha! @JBNY, you're hollering down a well. I totally agree with your statement of the purpose of tube rolling and the results in subjective listening. But around here your assertions will tend to dismissed and likely ridiculed.
However "Evidence of the Ear", no matter how consistently experienced by the individual, nor corroborated by the shared experience of other listeners, will be dismissed out of hand by much of the ASR constituency. Fair, I suppose, because ASR is about the science of audio.
Plus, there's little doubt in my mind that plate-starved triodes will have a... heaven help me... sonic signature.
PS The above-mentioned, low voltage, purpose-designed "Space Charge" tubes are fashionable enough in some circles to have become rare, expensive, and/or hard to get (e.g., the 12N7)! Weird but true. It's a funny old world whenever the Internet's involved.
Also, a quick comment about double-blind testing: just as in any social science research, experminental design is absolutely critical. E.g., how does one meaningly control for, e.g., the potential effect of removing and reinserting a tube in a socket, which might (?!?!) improve electrical connection between pin(s) and socket (due to 'cleaning by friction' of the connections)? Randomly including A to A "swaps" (sham surgery, as the procedure is sometimes referred to in my old line of work)?
I think (?!?!????) sometimes the difference in cable swaps may be attributable to such "metaphenomena"
(Note well my very deliberate weasel-wording above!)
Where is the evidence of this ?
I mean have the perceived differences between tubes been objectively verified ?
Also do not confuse rolling power tubes or not really suited tubes or tubes with substantially different gain and or transformers / loads (in non- or low-feedback designs) with a simple gain stage.
Oh, them'd be fightin' words in so many circles!I think ripping the tubes to digital files and using a software ABX tester would solve this.
BUT, tubes have been made with some coveted properties, including this one with vibrations. Vaccum tubes have been used in a lot of different applications, so it's probably not so strange:They should be silicone and not regular rubber if they're to be used on power tubes.
So... I mean... the idea is to damp internal vibration (root cause of "microphonics") of the tube's -- shall we say -- infrastructure, which certainly can be audible. Do they really 'add value'? Beats me. I don't use any and never particularly felt motivated to.
Yeah, that's the main problem. Assuming a convincing blind test, the reactions would be "must be defective", "tubes out of spec", "amp out of spec" and we'd go back in a circle to "one should use appropriately verified tubes on properly biased amplifiers and the differences will vanish".
You are calling yourself a objectivist and do blind tests.
Why don’t you do measurements?
Maybe you did and can share them.
cheers
Yeah, that's the main problem. Assuming a convincing blind test, the reactions would be "must be defective", "tubes out of spec", "amp out of spec" and we'd go back in a circle to "one should use appropriately verified tubes on properly biased amplifiers and the differences will vanish".
I've never heard of this, "No true Scotsman" before but I have experienced the practice. It's funny that it is used this way.no true scotsman
It's mostly in this forum where I have encountered some casting doubt on the very phenomenon of tube amps sounding different: that it's almost inevitably listener bias and a myth.
I've never heard of this, "No true Scotsman" before but I have experienced the practice. It's funny that it is used this way.