strangeskies
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- Joined
- Oct 14, 2019
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- 65
may i say this amp is dead cold? it feel soo sterile
Curious. My sounds warm and pathogenic.
may i say this amp is dead cold? it feel soo sterile
Curious. My sounds warm and pathogenic.
Spoiler: the testing he has done does not take into account the SMSL SP200 is much louder by default. The rest is him talking out of his ass, as with most subjective impressions of gear on the internet. "Just because 2 amps are comparatively clean, does not mean they're delivering the same sound quality." what a load of crap. This is why amazon reviews are generally not worth much ... I mean even ZEOS concluded these THX amps sound the same, with difference of inputs/outputs, gain modes and aesthetics.Sorry if it already been mentioned by someone, but today I stumbled on a review left on Amazon rumbling something about "THX compression"? What a heck is that?
View attachment 42688
What a heck is that?
Hey mate,KNUPAC, what DAC are you using by chance?
Spoiler: the testing he has done does not take into account the SMSL SP200 is much louder by default. The rest is him talking out of his ass, as with most subjective impressions of gear on the internet. "Just because 2 amps are comparatively clean, does not mean they're delivering the same sound quality." what a load of crap. This is why amazon reviews are generally not worth much ... I mean even ZEOS concluded these THX amps sound the same, with difference of inputs/outputs, gain modes and aesthetics.
Read this thread for example:
https://www.audiosciencereview.com/forum/index.php?threads/headphone-amp-harsh-vs-smooth.10370/
original poster comes to the conclusion these amps sound the same and the difference was imagined. That's what a good comparison does to you.
I'm confused. K5 Pro does not have XLR? Do you mean RCA to XLR input on SP200?Hey mate,
Fiio K5 Pro is using AK4493EQ DAC, via XLR to RCA to SP200 (unbalanced)
Differences will be power output, connections(input/output), aesthetics, ...
Yep using mine with the benchmark RCA to XLR cable that is wired to the starquad braid for some common mode rejection. Pseudo-balanced with no hiss/noise love it.I'd add no external power brick as a big plus (for me)! But yeah, XLR input is probably one of the main reasons for me, I want everything connected with XLR due to my system's tendency towards ground loops with other connections...
Yep using mine with the benchmark RCA to XLR cable that is wired to the starquad braid for some common mode rejection. Pseudo-balanced with no hiss/noise love it.
A cheap balanced DAC like SU-8 or SDAC would be real balanced but I dislike the 4Vrms output, especially with the SP200 gain it would get WAY too loud too fast for my preference. Pseudo balanced is the sweet spot for me in terms of available gain.
Yep using mine with the benchmark RCA to XLR cable that is wired to the starquad braid for some common mode rejection. Pseudo-balanced with no hiss/noise love it.
Only the other hand, the designer said that: "RCA does not need to pass an XLR->RCA amplifier like the XLR input." So both inputs have their own merits.
https://www.audiosciencereview.com/...nts-of-smsl-sp200-thx-hp-amp.9242/post-247072
I'm confused. K5 Pro does not have XLR? Do you mean RCA to XLR input on SP200?
I finally got around testing my SP200 with a pair of JH Audio 10x3 Pro IEM’s. I wanted to observe possible gain issues and channel imbalance.
First, no hiss or major issues were detected at nominal listening levels. There are minor issues.
1.) Even with the volume ( low gain ) all of the way down I can here audio playing. The gain should really go all of the way down especially on low gain.
2.) There is obvious channel imbalance at low listening levels.
3.) To get to really loud levels one only needs to use 5-6mm of turn on the volume knob. This leaves 90% of the volume unused.
I don’t suggest this amp for IEM use. I wish they would rework it and install the tested volume pot. I would easily swap my out for one that has better low gain performance.
The sp200's amplifier section has only 2 channels, but it is designed in a "balanced" way. According to the THX guidelines, all XLR socket traces are returned to the amplifier. And because it is an unbalanced amplifying part, the RCA does not need to pass an XLR->RCA amplifier like the XLR input. Therefore, the performance of the RCA input is the best.