This is again very impressive. I was lesser interested in Revel C52 center, keke...But this is an very important step on proving the testing methodology is actually working as a good simulation as getting test done in an anechoic chamber. Brilliant!
As said, above than 600 Hz the perceived tonality almost fully depends on direct sound as our brain adapts to the room acoustics, thats why "George" still sounds to us like "George" and not "Keith", a nice example that Toole uses it that noone would ever get the idea to EQ live voices or instruments in according to some listening position measurements. Its all written in above posted links or in even more detail in Toole's book
As an example, an linear omindirectional loudspeaker would create a flat listening FR if the room reverbation over the frequency is constant, same also any neutral loudspeaker in an anechoic room, trying to "correct" such response to a decreasing target curve would make them sound not tonally correct.
Not bad for a old bloke in a garage .
Review looks qualify the new NFS is a good a investment to reference, thanks amirm share your deliciousHT speakers.
"On axis" and "Sound power DI" overlaid on a 50dB scale, black=NFS, purple=Anechoic:
View attachment 46229
That's the Microsoft way.C'mon, wife did the lifting and robot did the rest of the job - your bloke just published it and now is taking all the credits!![]()
If the speaker measures flat anechoically on axis, why would you need such a correction? Either its flat or not. If its not and its directivity is smooth, you can correct it by EQ also above 600 Hz (which I also do on my IN-8 and LS50) if the directivity is non smooth you can either make the direct sound neutral or the reflected sound, but it doens't sound as correct the one doesn't fully correlate to the other.I have read the book. However, you haven't provided any argument why a mild correction (1-2dB with Q 1-2) which serves only as a tone control to provide balance betwen LF and HF would sound "unnatural".
You misundestood what I wrote there, a linear speaker will have also a linear listening position measurement in an anechoic situation, like for example a huge field with fat grass.Not true - speaker that measures linearly in anechoic environment would have sloped down response in a typical roomand that is mentioned in a Tolle's book. Maybe you should give it one more read?
If the speaker measures flat anechoically on axis, why would you need such a correction?
You misundestood what I wrote there, a linear speaker will have also a linear listening position measurement in an anechoic situation, like for example a huge field with fat grass.
If the speaker measures flat anechoically on axis, why would you need such a correction? Either its flat or not. If its not and its directivity is smooth, you can correct it by EQ also above 600 Hz (which I also do on my IN-8 and LS50) if the directivity is non smooth you can either make the direct sound neutral or the reflected sound, but it doens't sound as correct the one doesn't fully correlate to the other.
You misundestood what I wrote there, a linear speaker will have also a linear listening position measurement in an anechoic situation, like for example a huge field with fat grass.
Again, would you EQ your friends voice according to the different room (measurements)for you to sound more natural?I already answered that - to suit your personal preference. But you still didn't answer why would such mild correction sound "unnatural"?
Is a flat response your personal preference and everything else sounds "unnatural" to you?
It was just an example (like also the omidirectional speaker in a normal room which you ignored) to show that there ain't such thing as a universal target curve.Because it is a huge field with fat grass where we usually listen our speakers, right?
Without knowing the anechoic measurements noone can judge from such curves as I quoted Toole before:Here it is: measured at LP, 4m from the speaker, speakers have slight toe-in but they are not facing the LP directly thus the bigger HF roll-off.
Green is uncorrected and blue is corrected. Why would you say blue sounds "unnatural"?
Thanks for this. Viewing on a phone at the moment. So am I seeing this right, the slightly more squiggly line is the Klippel?Review looks qualify the new NFS is a good investment to reference, thanks amirm share your deliciousHT speakers.
"On axis" and "Sound power DI" overlaid on a 50dB scale, black=NFS, purple=Anechoic:
View attachment 46229
So what is the max score possible?A max of 9 would mean LFX cut-off for best score would be ~25Hz, so I don't think that's correct. Unless it's not programed for 0 for NBD and 1 for SM to exist.
Again, would you EQ your friends voice according to the different room (measurements)for you to sound more natural?
Without knowing the anechoic measurements noone can judge from such curves as I quoted Toole before:
When we talk about a "flat" frequency response, we should be talking about anechoic on-axis or listening window data, not steady-state room curves
The rest is personal taste and circle of confusion from flawed recordings (also from users that try to "correct" their speakers to some predefined curves)
http://seanolive.blogspot.com/2009/10/audios-circle-of-confusion.html
Well, with a -6dB of 1Hz it would be 15.1, so it's been discussed that maybe it's supposed to be capped at 10 and thus a -6dB of ~14.5Hz is set as the ideal.So what is the max score possible?
I won't repeat again what is written above, you confuse the science of perception (where the direct sound is dentrimental at higher frequencies) with personal taste at listening flawed recordings from flawed loudspeakers and in flawed acoustics. Please don't take that personally, my speakers and acoustics aren't by far perfect either, but I wouldn't think of using them as an argument to oppose what the research of Toole has shown.