You're confusing the resistance of the cable, which is negligible, with the characteristic impedance at RF, which is typically between 50-100 ohms. Digital audio and analogue TV use 75 ohms cables, RF transmitter outputs are typically 50 ohms.Not really but we use coax and rca as shortcuts.
What i don't get is why people speak about the cable impedance, for a wire impedance is always per meter and so it shoud be very close to zero (per meter) and so the impedance should be mostly the one of the two connectors. Of course you could design the cable taking into account the impedance of the wire but then your connectors would depend on the cable, and any adjustement to the wire length would change the cable impedance. My understanding is that order of magnitude are such that the wire impedance is neglectable for a cable with reasonable length.
May be you can clarify that.
You're thinking about DC.Not really but we use coax and rca as shortcuts.
What i don't get is why people speak about the cable impedance, for a wire impedance is always per meter and so it shoud be very close to zero (per meter) and so the impedance should be mostly the one of the two connectors. Of course you could design the cable taking into account the impedance of the wire but then your connectors would depend on the cable, and any adjustement to the wire length would change the cable impedance. My understanding is that order of magnitude are such that the wire impedance is neglectable for a cable with reasonable length.
May be you can clarify that.
Digital audio can easily get into the 20 MHz clock rate for high-speed sampling. Even a "tame" 48 kHz sample has a 6.144 MHz biphase clock. I believe each biphase pulse is 20% rise, 20% fall, so maybe 32ns rise/fall time for 48 kHz? I've not seen an FFT of that signal so I don't know its BW, but it must require at least a handful of harmonics, maybe 50 - 100 MHz (that's a wild guess)?You're confusing the resistance of the cable, which is negligible, with the characteristic impedance at RF, which is typically between 50-100 ohms. Digital audio and analogue TV use 75 ohms cables, RF transmitter outputs are typically 50 ohms.
Characteristic impedance is only relevant above about 1MHz, or for very long cables, lengths over several 10s of kilometers. It has no relevance at audio frequencies or for normal domestic lengths.
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Maybe this can help.Not really but we use coax and rca as shortcuts.
What i don't get is why people speak about the cable impedance, for a wire impedance is always per meter and so it shoud be very close to zero (per meter) and so the impedance should be mostly the one of the two connectors. Of course you could design the cable taking into account the impedance of the wire but then your connectors would depend on the cable, and any adjustement to the wire length would change the cable impedance. My understanding is that order of magnitude are such that the wire impedance is neglectable for a cable with reasonable length.
May be you can clarify that.
Only for S/PDIF.Most RCA cables are coax
No. I can't find a single non-coaxial RCA phono cable in my huge pile. Not one. Other than goofy "designer" stuff, they're all coaxial.Only for S/PDIF.
You write no yet, the dictionary definition begs to differ:No. I can't find a single non-coaxial RCA phono cable in my huge pile. Not one. Other than goofy "designer" stuff, they're all coaxial.
That is absolutely the way generic RCA cable is constructed.You write no yet, the dictionary definition begs to differ:
"coaxial: (of a cable or line) transmitting by means of two concentric conductors separated by an insulator." Source: Oxford Languages
Definitely not how a generic RCA cable is made as well as most other RCA cables ever sold. Coaxial cables are specifically made with a characteristic impedance for high bandwidth.
"coaxial: (of a cable or line) transmitting by means of two concentric conductors separated by an insulator." Source: Oxford Languages
Spot on. It is not about DC resistance but about characteristic impedance.You're confusing the resistance of the cable, which is negligible, with the characteristic impedance at RF, which is typically between 50-100 ohms. Digital audio and analogue TV use 75 ohms cables, RF transmitter outputs are typically 50 ohms.
Obvious they are not.Coaxial cables are specifically made with a characteristic impedance for high bandwidth.
I make my analog RCA cables with RG59 which has a characteristic impedance of 75 Ohm so I can use them for both analog and SPDIF connections. No need to check just grab one with the proper lenght ...The average analog cable (RCA) is sold as what it is, a coax without any spec of its characteristic impedance. Just check Amazon Basics or Monoprice.
However you can tune them like
50 Ohm like RG 50: https://www.caledonian-cables.com/product/Coaxial Cables/RG Type Low Loss 50 Ohm/RF 50LTA.htm
75 Ohm for SPDIF
110 Ohm for AES/EBU
You write no yet, the dictionary definition begs to differ:
"coaxial: (of a cable or line) transmitting by means of two concentric conductors separated by an insulator." Source: Oxford Languages
Definitely not how a generic RCA cable is made as well as most other RCA cables ever sold. Coaxial cables are specifically made with a characteristic impedance for high bandwidth.
Don't make me start cuttin' into old unbalanced cables and snappin' photos to offer evidence in support of @SIY's assertion!That is absolutely the way generic RCA cable is constructed.
RCA cable I have seen has two copper wires, both separately insulated or there would be a short circuit. Don't know how often they are shielded, but I suppose they are almost always shielded with aluminum foil.That is absolutely the way generic RCA cable is constructed.