In the case of the big format horns with 12 inch and15 inch bass drivers, you are trading off listening distance. If you walk much within 1.5 meters of my big speakers, it quickly looses everything. You hear the bass and the treble coming from different locations, and its not pleasant
This is a true revelation to me!
In such case big Pi's are not suitable for my smallish listening room, unfortunately. Same, probably, goes for big floorstanders designed by
@Duke... What a pity...
Well I don't like to post a dissenting opinion every time someone says something that I don't 100% agree with...
IN GENERAL I agree with what Lbstyling is saying, BUT that listening distance issue has not been my experience with the type of horns I use. I have a customer who set up a pair close enough that you could lean forward and touch the speakers (so three feet/one meter ballpark) and he said that there was no sense of vertical discontinuity - that the sound seemed to come from the height of the horn (despite the 1.4 kHz ballpark crossover and relatively large vertical spacing of the drivers). I had never tried this myself and was highly skeptical until I sat in his chair and closed my eyes. To my surprise I could not hear any vertical discontinuity.
That being said, I HAVE heard the vertical discontinuity Lbstyling describes with horns which are considerably deeper than the horns I use. Over the years I've pondered why, and here is my thinking:
If the horn is very deep, the compression driver's output arrives "behind" the output of the woofer. Since the ear hears the woofer's output first, some sounds are localized at the woofer instead of at the compression driver. So there is a detectable vertical discontinuity.
The shallow waveguide-style horns I use are only about one-half wavelength deep at the crossover frequency, and in the phase domain the woofer is lagging the compression driver by about 180 degrees, or one-half wavelength. So the one offsets the other: The horn's physical depth puts the compression driver back just the right distance to time-align it with the woofer. As a result, the output from the woofer does not arrive first, even though it is physically closer. And since we get by far most of our localization cues from the region covered by the horn, the ear now localizes sounds at the height of the horn.
I haven't listened to any of Wayne Paraham's designs from very close range but his custom horns are also shallow, constant-directivity horns so imo there is an excellent chance they will likewise work well at relatively short listening distances.