Just a new colour?
No new speaker then?
Well that’s underwhelming.
Certainly a welcome addition. But clearly did not need this level of teasing...
Just a new colour?
No new speaker then?
Well that’s underwhelming.
Can you share a screenshot of the old marketing material? I don’t recall seeing anything about it on the first versions material.Pre-meta, KEF marketing claimed that their damping material absorbed 100% of the back wave.
Now, with meta, it's improved to ... 99%!
IMO, meta, by itself, does not make an audible difference.
Great for marketing (and increasing prices) though.
the dome vents through the centre pole of the magnet system to a cavity filled with absorbent wadding. The cavity is tapered to that, when the wadding is inserted, it becomes more dense towards the rear of the cavity, gradually increasing absorption.
All the rearward energy is absorbed and cannot re-radiate through the dome after being reflected at the back of the cavity.
Oh well just black color ha, ha, ha!
It’s just a marketing thing back then. Now we know Meta really makes a difference. So this can be ignored. Not a problem with their engineering but marketing wanted to write something in their marketing material.KEF R Series 2018 white paper: https://assets.kef.com/documents/rseries/rseries2018-white-paper.pdf
Page 15, text just above Fig.24:
We do not know that. KEF changed several things on the R series, the backwave damping method on the tweeter was only one of them.Now we know Meta really makes a difference.
Taken to the extreme, the metamaterial does what the rear cones opposing the drivers on the Nautilus, did.We do not know that. KEF changed several things on the R series, the backwave damping method on the tweeter was only one of them.
KEF"s metamaterial absorption technology is a pretty idea, it makes theoretical sense and it very likely works as claimed. But does it work better than plain old damping material? Does it make an audible difference? My guess is no, because (1) plain old damping material works really well, and (2) no other highly qualified speaker designers (Harman, Genelec, Andrew Jones, etc etc) ever seem to mention this as something to worry about.
The LS series has a DSP, so in theory, it could be compatible with Dirac or other room eq. It should be up to KEF to make it compatible and usable with said DSP, but not impossible on paper. There are some active speakers compatible with Dirac (Dynaudio), so a similar route could be feasible.LS60 wireless are a really nice pair speaker and they measure pretty well for their size.
But having no build in room correction or PEQ is a complete deal breaker to me.
You could of course connect a PC with Dirac or a Raspberry Pi with CamillaDSP but then the whole streaming section of the LS60 would be wasted and you'd probably be better off with a Dirac capable AVR and some R7 Metas.
Look at the post in this thread thewas posted. It clearly shows with the same crossover meta performs better.We do not know that. KEF changed several things on the R series, the backwave damping method on the tweeter was only one of them.
KEF"s metamaterial absorption technology is a pretty idea, it makes theoretical sense and it very likely works as claimed. But does it work better than plain old damping material? Does it make an audible difference? My guess is no, because (1) plain old damping material works really well, and (2) no other highly qualified speaker designers (Harman, Genelec, Andrew Jones, etc etc) ever seem to mention this as something to worry about.
I think in multichannel only - considering cost yes it makes little sense - and a set of passives, even if that would cost similarily makes more sense.Taken to the extreme, the metamaterial does what the rear cones opposing the drivers on the Nautilus, did.
Perhaps it is better suited for high frequencies, so damping can be tailored for lower frequencies, thus getting a better overall absorption.
The LS series has a DSP, so in theory, it could be compatible with Dirac or other room eq. It should be up to KEF to make it compatible and usable with said DSP, but not impossible on paper. There are some active speakers compatible with Dirac (Dynaudio), so a similar route could be feasible.
To me, the other limiting aspect is their limited usability in multichannel. Yeah, the LS60 can be plugged to RCA´s, but you´d still need an AV processor and the whole point of the LS´s is removing as many "boxes" as possible.
We use a set of LS50 WII exactly that way: music, radio and TV listening.I think in multichannel only - considering cost yes it makes little sense - and a set of passives, even if that would cost similarily makes more sense.
But many, if not majority of people, have hybrid usage - when we take into account solid stereo amp, similarly performing passive speakers - then cost is similar if not more (r11 meta for instance + stereo amp is quite a bit more). So when listening to music you do turn on less boxes. But lack of room correction at that price hurts, with passives you can get an integrated amp with it.
With roon PEQ you can get flat response but personally I wasn’t fan of turning PC on every time I wanted to listen to music. Room uncorrected still usually will sound good maybe even very good, but typically only when corrected you can get this holographic sound, with speakers that can provide this of course.We use a set of LS50 WII exactly that way: music, radio and TV listening.
It would be ideal to apply Dirac as a option with a software update. Multichannel extensión would be the cherry on top.
However, does It sound fine as is? Yes, absolutely! However, I'd love to apply the extra above steps to make it even better.
I ran them from my PCserver (Jriver, Dirac) via S/PDIF.Yeah, the LS60 can be plugged to RCA´s, but you´d still need an AV processor and the whole point of the LS´s is removing as many "boxes" as possible.
Mine is not behind the speakers, but it works quite well close to the listening spot.With roon PEQ you can get flat response but personally I wasn’t fan of turning PC on every time I wanted to listen to music. Room uncorrected still usually will sound good maybe even very good, but typically only when corrected you can get this holographic sound, with speakers that can provide this of course.
I wonder how similar would be a kc62 put directly behind each ls50 II - in the sense of recreating single point of sound.
I wish I could decode Atmos on the PC and do something like that.I ran them from my PCserver (Jriver, Dirac) via S/PDIF.