to capture more transients in the music information without the need to have some esoteric upscaling mathematics to fill the gaps
I call BS.
to capture more transients in the music information without the need to have some esoteric upscaling mathematics to fill the gaps
I hope Dolby or DTS come out with their own master hires codecs for 2 channel audio.
No, it can't. What do you think the timing resolution of 44.1/16 is?
Why?
I don't fancy the idea of having to pay for Dolby licensing fees in my HW or music.
That’s being dismissive. Obviously you are entitled to your own preferences.I call BS.
haha true that, nobody does. But there are no free lunches and there is a cost to progress.
Why do we need to progress? The technology may be 40 years old, but our ears are already thousands of years old in design, so as 16/44.1 was transparent then, it still is.I know this can be an interesting debate but is actually besides the point. Also listening degrades with age and other factors but more importantly you don’t know what you need till you experience it. (8K vs 1080p Logic)
What I was trying to illustrate, is the need to progress. 44 kHz is a 1979 CD technology. It’s been 40 years. Even the microphones and speaker technologies have drastically improved. Storage and transmission was a yesteryear concern which is no longer the Achilles heel now.
Why do we need to progress? The technology may be 40 years old, but our ears are already thousands of years old in design, so as 16/44.1 was transparent then, it still is.
S
Even an open source codec is just a container. Open source is not a free lunch either.Sure there are.
Implement a better codec in open source.
If you think a better codec really matters.
Even an open source codec is just a container. Open source is not a free lunch either.
It is to meet an unarticulated need. We didn’t need cars till we saw one.The entire need to "do better" is to create a reason to sell us more stuff.
It is to meet an unarticulated need. We didn’t need cars till we saw one.
???
But it doesn't require licensing like your idea to use DTS or Dolby...
to capture more transients in the music information without the need to have some esoteric upscaling mathematics to fill the gaps
Transients are not ultrasonics. Nyquist theory has had it’s fair share of misunderstanding. Digital is discrete compared to analog. This discrete nature is the driving force to improve resolution.Cars solved real problems.
Ultrasonic audio does not.
you may be required to pay licensing fee even on tech developed using open source. Open source is only about quick and collaborative industry adoption and not to curcumvent royalties or licensing fee. This is a common misunderstanding.
Haha ok I get it, no more debating on this. Adios Amigos.
Transients are not ultrasonics.
Nyquist theory has had it’s fair share of misunderstanding.
Digital is discrete compared to analog. This discrete nature is the driving force to improve resolution.
You really should study Shannon Nyquist. It’s neither esoteric nor new.to capture more transients in the music information without the need to have some esoteric upscaling mathematics to fill the gaps
you may be required to pay licensing fee even on tech developed using open source. Open source is only about quick and collaborative industry adoption and not to curcumvent royalties or licensing fee. This is a common misunderstanding.