Vapor IP? I hope there was some value picking up MQA's pieces. Not all hucksters are so lucky.
Of course, Tidal's or Qubuz files are not better. What I was referring to was the "policy" of the two streaming services to make it possible to integrate their services into various manufacturers' HiFi equipment and into third-party software. What I meant by "no future for HiFi among streaming-services" was that I don't think anyone else has an interest in developing a similar policy.What makes you say that?
AFAIK All the other streamers except Spotify (coming soon they say) are doing 16/44 or better today?
Are Qoduz or Tidal's digital files somehow better than the rest?
But... we have an industry view that says that what proper audiophiles want is vinyl.In a way, I hope this doesn't happen.
It's sort of like how landmark free speech cases always hinge on the most offensive / objectionable content around. The worst of it makes space for everything else.
So if people keep demanding 24/96 lossless or something (even more) stupid, at least 16/44 is safe.
If people stop caring about sound quality altogether, then maybe we go back to 192 or even 128 MP3 quality. Maybe the loudness wars start back up again. Who knows?
Let the high-res nonsense shout for attention and at least useful levels of quality will not end up on the chopping block.
Spotify has had Spotify Connect out there longer than any of them, integrated directly into many receivers and AVR's.What I meant by "no future for HiFi among streaming-services" was that I don't think anyone else has an interest in developing a similar policy.
Right. There’s also Airplay and Chromecast. There’s nothing particularly special about Tidal or Qobuz other than their willingness to work with Roon.Spotify has had Spotify Connect out there longer than any of them, integrated directly into many receivers and AVR's.
Also even offering a special Linux build desktop app. We shall see what their lossless future brings.
You do realise they've been promising lossless since March 2017.Spotify has had Spotify Connect out there longer than any of them, integrated directly into many receivers and AVR's.
Also even offering a special Linux build desktop app. We shall see what their lossless future brings.
lol.. Atmos-on-vinyl
Sure, but in this worldview, only ultra-high res digital is seen as approaching the fidelity of vinyl. So as long as vinyl remains queen, high-res digital will always be the princess.what proper audiophiles want is vinyl.
AI mastering is already mainstream. Image-Line (behind the very popular FLStudio DAW) announced an AI mastering service this very week.I suspect that dynamically flat AI mastering is the next horror that awaits us.
Patience grasshopper, Rome wasn't built in a day. LOLYou do realise they've been promising lossless since March 2017.
Along with $10,000 power cables, $50,000 HDMI cables and grounding boxes.But... we have an industry view that says that what proper audiophiles want is vinyl.
I just had a look at the WiiM Pro plus streamer/DAC, and it actually integrates several different streaming services into it´s software/hardware solution. So maybe I am wrong.Spotify has had Spotify Connect out there longer than any of them, integrated directly into many receivers and AVR's.
Also even offering a special Linux build desktop app. We shall see what their lossless future brings.
Big in Japan apparently..... (MQA CD, no idea about Bob)Look what came in the mail today. :-D I had no idea there was such a thing as an MQA CD...View attachment 316845
Hey, you got some free de-blurring!Look what came in the mail today. :-D I had no idea there was such a thing as an MQA CD...View attachment 316845
I was heavily criticized for wanting MQA Ltd liquidated and the IP in someone’s hands who wouldn’t use it. With a lot of help and Companies House database, MQA Ltd. will be liquidated. But Lenbrook purchased the IP and intends to use it. Why?”Lenbrook Corp., a diversified, privately-owned Canadian enterprise with activities in brand development, technology, and distribution in both residential and commercial audio and the communication sectors, has acquired the assets of MQA, a UK-based industry leader in high-resolution audio encoding.”News - The Lenbrook Group of Companies
lenbrook.com
Good point. For most people high-res audio is a genuinely marginal benefit. In other words if they can't make up their minds between two pieces of electronics, the one with high res will win. But my guess is almost no mainstream consumers seek it out as a primary requirement.the market for high resolution audio.
Good point. For most people high-res audio is a genuinely marginal benefit. In other words if they can't make up their minds between two pieces of electronics, the one with high res will win. But my guess is almost no mainstream consumers seek it out as a primary requirement.
I spent a good while selling consumer audio ... very rarely did anyone complain about our lack of high-res specs.
Spotify is well over a year late delivering their high-res tier. Have they lost droves of customers over it? No. Did most of them even notice? No.
MQA CD (including the same all over Tidal) was/is probably the worst thing of MQA.I had no idea there was such a thing as an MQA CD...
Hoping it'll soon be Wave Goodbye.
They may not have the right to use MQA now that Lenbrook has purchased the IP.