Okay. Well I mean the null test between 2 or 3 of the best measuring DACs on this website. Are you absolutely certain that capturing the output from the same file will produce identical waveforms? Meaning 100% the same?!
They can't be 100% the same, but if they null to the point where you can't hear the null file unless you crank the gain way up, how is that effectively different? Do you understand these tests? Sounds like you may not, even though it is what you were asking for. Like magic, they are already available.
There are some things that are beyond the ability of a machine to measure.
Anything that can be heard and identified by ear, can be measured. Do you have any examples otherwise?
If we are honest with ourselves -- simply relax and listen without any expectation bias (i won't hear a difference) vs (i will hear a difference) simply having no belief in being able to hear a difference or not...being a blank slate in a sense...then we will definitely hear differences that are meaningful between audio gear of all kinds.
With no controls, you are virtually guaranteed to hear lots of differences. The question is whether you would hear them if you DID use controls. So far, we get a lot of people telling us what we are missing, but then can't go on and actually demonstrate that THEY are hearing anything we aren't.
The fact of the matter is - anyone who only believes in measurments has a deep-rooted belief that clouds their judgement when listening to new audio gear.
I might turn that around and say that if you don't have a basic understanding of measurements and psychoacoustics, which it seems you don't, you will be forever chasing new stories, rather than a different or better sound.
measurement wars between such companies which has lead to gear with high SINAD (low THD, high dynamic range, etc.) but at what cost?
Generally, at a lower cost to the consumer. We get to buy gear that performs better by any metric for less money than ever. Those who claim the music is missing something beyond noise or distortion need to do more than whine about it all and put up some evidence.
Sure, the THD might be higher - but that's mostly because of little to no negative feedback or design compromises. In essence, providing you with the best possible objective performance that falls squarely in the range of hearing that we humans can actually discern and appreciate.
How does higher THD lead to the best possible objective performance? So, negative feedback is an automatically bad thing?