(Haven't made it past the first page yet.)
It's people who live in small spaces who are killing hi-fi? Hm. My first "good" stereo was a Technics belt-drive turntable (100% manual), a Kenwood integrated amplifier with about 40 watts of output into 8 ohms, and a pair of Advent loudspeakers. I'm sure I'm not alone in starting out that way. The target for that system was to be reasonably linear--that is--signal going in looks the same coming out except bigger.
I didn't buy that system to impress my friends in the college dorm, obviously. I listened to prog rock and classical music: certainly not the preferred musical flavors in Walton Hall at Texas A&M University in 1977. But good sound is good sound, and by the standards of the day that system represented about the highest bang for the buck one could hope for. I had a "godfather" (really a friend of my grandmother) who wrote hi-fi articles for the Houston Chronicle for a time, and he pronounced my choices sound without regard for its modest price--it was about performance, not status. In those days, the objective was good sound, even if not turned up particularly loud (though it was certainly louder than 75 dBA on the peaks!).
I note that even headphone listeners can want and appreciate a good sound, and even headphone listeners can create these highly snobbish and elistist cliques where actual performance is derided in favor of brand value and display of wealth and sound that can only be described using florid adjectives. It's not about small scales or the lack of specialized listening rooms. It's about snobbish elitism invalidating those who are unable or unwilling to spend lavishly in order to get sound that isn't good, but that has the right accent. That is what will kill hi-fi.
Rick "sees it in other luxury product areas, too" Denney
It's people who live in small spaces who are killing hi-fi? Hm. My first "good" stereo was a Technics belt-drive turntable (100% manual), a Kenwood integrated amplifier with about 40 watts of output into 8 ohms, and a pair of Advent loudspeakers. I'm sure I'm not alone in starting out that way. The target for that system was to be reasonably linear--that is--signal going in looks the same coming out except bigger.
I didn't buy that system to impress my friends in the college dorm, obviously. I listened to prog rock and classical music: certainly not the preferred musical flavors in Walton Hall at Texas A&M University in 1977. But good sound is good sound, and by the standards of the day that system represented about the highest bang for the buck one could hope for. I had a "godfather" (really a friend of my grandmother) who wrote hi-fi articles for the Houston Chronicle for a time, and he pronounced my choices sound without regard for its modest price--it was about performance, not status. In those days, the objective was good sound, even if not turned up particularly loud (though it was certainly louder than 75 dBA on the peaks!).
I note that even headphone listeners can want and appreciate a good sound, and even headphone listeners can create these highly snobbish and elistist cliques where actual performance is derided in favor of brand value and display of wealth and sound that can only be described using florid adjectives. It's not about small scales or the lack of specialized listening rooms. It's about snobbish elitism invalidating those who are unable or unwilling to spend lavishly in order to get sound that isn't good, but that has the right accent. That is what will kill hi-fi.
Rick "sees it in other luxury product areas, too" Denney