Hey I'm 25.I am afraid the average ASR reader doesn't need anything working another 30 years.
Hey I'm 25.I am afraid the average ASR reader doesn't need anything working another 30 years.
So you play a higher res file than a redbook cd and it sounds audibly worse than the cd?If it doesn’t make sense, I suggest you look at the graphs in Amir’s review and pay attention to the comments about bit depth.
Also, Amir had posted several tutorials about understanding audio measurements which are extremely helpful.
Hopefully, that should clear up anything you are confused about, but if that doesn’t help, please post specific areas of confusion in the thread and I am sure multiple forum members will offer help.
Roughly this. (BT isn't expensive these days, and DAC wise I'd expect a PCM5100A or similar.) The specs mirror those of a PMA-500AE from over 15 years ago, and in fact the 20-year-old PMA-495R as well. Not sure whether they're running their Darlingtons that much underbiased or what. In any case it's an entry-level integrated amp with some modern amenities added.Under the hood, I suspect this 'new' Denon is the same ageing amplifier found in the PMA520, and no doubt other products I don't know about, with a cheap DAC of similar vintage shoehorned in.
I'm not sure I follow. If the amplifier is transparent - which I would think it would be - what does it matter if other amplifiers have better measurements?This could have been a winner because it has all the features and option for the price range and looks nice too but it's a no-go now.
I did not find a service manual for it but the flyer offers some blurbs on the amp stuff.Just out of curiosity, what is this : ADVANCED High Current Single Push -Pull Circuit that Denon says that the PMA-600NE has?
Advanced what? Push-Pull maybe that it is class AB amp but single what?
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Yeah I just happened to notice that it looked a lot like the PMA520 I've had in one of my systems for years. I like the amp a lot to be honest, and got it new for £135. Which is why I tend to think the amp reviewed here is a bit on the expensive side - it's the same thing only with a cheapo DAC and Bluetooth.Roughly this. (BT isn't expensive these days, and DAC wise I'd expect a PCM5100A or similar.) The specs mirror those of a PMA-500AE from over 15 years ago, and in fact the 20-year-old PMA-495R as well. Not sure whether they're running their Darlingtons that much underbiased or what. In any case it's an entry-level integrated amp with some modern amenities added.
Totally agree. Integrated amps that waste extra cost on phono or tone controls are immediately disqualified for my use. DAC only if done well....
i would rather this unit lose phono and the digital section and tone controls and.... yeah you get the idea... do a little but do it better, dont try to do lots of things in a shit manner
...
So the reviewed model appears to be an ageing budget integrated, refreshed by adding DAC and Bluetooth features.
The tone controls are really handy. My pma520 is driving Vienna Acoustics Haydns, and the bass needs a bit of attenuation to stop them booming. Otherwise you're down to sticking socks in the reflex port!Totally agree. Integrated amps that waste extra cost on phono or tone controls are immediately disqualified for my use. DAC only if done well.
It's probably mostly mumbo jumbo marketing talk.I did not find a service manual for it but the flyer offers some blurbs on the amp stuff.
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In the past I very much preferred to at least divorce the control center/preamp from the power amp. I think that makes sense more than ever. Various ways of delivering music change more often. A single box for everything except power still seems a good idea, and then you have your power amp.Give me a competent, high powered, high performance integrated anytime- they are a work of art to behold when done well.
Couldn't agree more. Have my eye on NAD C399, hoping it will appear on the ASR bench one of these days. The reviewed Denon PMA-600NE is unfortunately worth nothing more than student dorm room material, If that. Even the DAC is a disaster.Give me a competent, high powered, high performance integrated anytime- they are a work of art to behold when done well.
The way it is explained it could be anything. There is no firm mention of any topology or design layout. Just gobbledygook.It's probably mostly mumbo jumbo marketing talk.
Now I'd like to ask, is there anyone with current gear making a high performance integrated that you would call a work of art or at least done well? The only ones I can think of cost even more than a couple of good separates.
My pre-previous ASR was pretty decent.Not cheap though.In the past I very much preferred to at least divorce the control center/preamp from the power amp. I think that makes sense more than ever. Various ways of delivering music change more often. A single box for everything except power still seems a good idea, and then you have your power amp.
Now I'd like to ask, is there anyone with current gear making a high performance integrated that you would call a work of art or at least done well? The only ones I can think of cost even more than a couple of good separates.
Quite agree. Although as I said earlier, once you've pushed any artefacts and deviations below the threshold of audibility, why go further? It's very impressive to make an amp with 140 dB of dynamic range, but what do you want it for? Similarly, 0.00001% THD is an impressive figure, but even 1% isn't the end of the world and 0.1% is normally transparent.The major companies like Denon, Marantz, Yamaha, Rotel etc have been recycling their amplifier designs for the last 30 years. Nothing wrong with that, but it hardly advance the state of amplifier art. The advances have been with control and systemwide protection/monitoring, not with actual performance.