Can you explain why this is a relevant measurement?
Any non linearity will produce harmonic tones (2nd 3rd etc....) if the DUT (device under test e.g. an amp) is offered one (1) single signal (like a 1 kHz sinus). This is not a problem as the 2nd for say a 18kHz tone is 36k. When the same DUT is offered more than one signal, it will create IMD which arise as both unwanted summa and difference signals from the involved stimuli. In the situation of offering the DUT 18 kHz and 19 kHz, the difference signal is a 1 kHz signal which is frequency wise audible if loud enough (while very few hear 18/19k) - this contribution to music is not desired.
Now, THD and IMD are tightly related - their is no way of designing a low THD amp with high IMD - the problem with the LP filter at 25 kHz that is used when measuring THD / Sinad is that the high overtones are attenuated so one cant judge the amount of THD and thus, also not estimate the IMD problems of an amp. NB that here I stil only talk about one signal stimuli measurement. By using a 25kHz filter, one hide distortion above 12,5kHz.
So, either introduce a 18+19k stimuli or remove the LP filter so that we can see how much THS there is up high - why? Either of these 2 would reveal the IMD situation. Combine it over a reactive load so it represent real life and we are good. No need to do it for max power - I think at -10dB would be OK to save involved gear.
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PS. Perhaps is it difference produced IMD products that lies as a faint correlated non-harmonic noise in the midrange making violins sound harsh and nasty...
would be nice to find a correlating measurement for such nasty faults in reproduction - truly music killing sh*t.
Unfortunately, due to measurement protocols - we are denied to understand this property of amps.