AlexHempel
Member
- Joined
- Dec 23, 2020
- Messages
- 14
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- 19
Hello ASR,
I feel like one major issue audiophiles have with the "objectivist" approach to evaluating gear is it spoils some of the fun factor associated with chasing new equipment. After all, this hobby is a collecting hobby for many; people like searching for the newest tweak or upgrade to enhance their system and accumulating rare and attractive gear. Of course, this does not describe everyone -- I'm sure there are some who get their system set up to their liking and then leave it. But I have a feeling they are in the minority.
Objectivism takes away some of the mystique and appeal of collecting audio gear because it creates a clear end point if you assume that good measured performance is the goal. Why bother obsessing over gear when you can just buy some NC400s, Modulus, an AHB2 etc., one of dozens of excellent DACs, decent generic cables, and good speakers with appropriate room treatment? After all, any improvement in amplifier or DAC beyond what the current cutting-edge offers is probably inaudible in most cases. This creates an issue for audiophiles who claim they are chasing the most accurate sound reproduction but actually just want to buy new gear or gear that doesn't measure very well.
I personally enjoy the collecting electronics aspect of the hobby as much as the music reproduction, so I had a similar dilemma. In fact, I started with NC400s back when they first launched, and yet I love restoring vintage amplifiers more than anything. My solution has been to keep the NC400s and my trusty SMSL SU-8 as a "reference" system for when I want to hear music reproduced cleanly and accurately.
Then I have another rotation of vintage gear that I own because it looks cool, has some interesting history, has sentimental value because I spent dozens of hours working on it, etc. I'm almost certain most of this gear measures poorly, but the distortion can be pleasant in some circumstances. In fact, I actively seek out stuff that measures exceptionally bad (like 40s tube amplifiers or weird SS) because I like hearing something different than my NC400s. So I don't view it as measuring "badly" so much as just adding a fun, if ultimately inaccurate, coloration.
Anyways, I'm sure there are many others like me, not claiming to have any profound insights here. But I am curious how other ASR users balance objectivism with a desire to continue collecting gear after reaching the measured performance endgame.
I feel like one major issue audiophiles have with the "objectivist" approach to evaluating gear is it spoils some of the fun factor associated with chasing new equipment. After all, this hobby is a collecting hobby for many; people like searching for the newest tweak or upgrade to enhance their system and accumulating rare and attractive gear. Of course, this does not describe everyone -- I'm sure there are some who get their system set up to their liking and then leave it. But I have a feeling they are in the minority.
Objectivism takes away some of the mystique and appeal of collecting audio gear because it creates a clear end point if you assume that good measured performance is the goal. Why bother obsessing over gear when you can just buy some NC400s, Modulus, an AHB2 etc., one of dozens of excellent DACs, decent generic cables, and good speakers with appropriate room treatment? After all, any improvement in amplifier or DAC beyond what the current cutting-edge offers is probably inaudible in most cases. This creates an issue for audiophiles who claim they are chasing the most accurate sound reproduction but actually just want to buy new gear or gear that doesn't measure very well.
I personally enjoy the collecting electronics aspect of the hobby as much as the music reproduction, so I had a similar dilemma. In fact, I started with NC400s back when they first launched, and yet I love restoring vintage amplifiers more than anything. My solution has been to keep the NC400s and my trusty SMSL SU-8 as a "reference" system for when I want to hear music reproduced cleanly and accurately.
Then I have another rotation of vintage gear that I own because it looks cool, has some interesting history, has sentimental value because I spent dozens of hours working on it, etc. I'm almost certain most of this gear measures poorly, but the distortion can be pleasant in some circumstances. In fact, I actively seek out stuff that measures exceptionally bad (like 40s tube amplifiers or weird SS) because I like hearing something different than my NC400s. So I don't view it as measuring "badly" so much as just adding a fun, if ultimately inaccurate, coloration.
Anyways, I'm sure there are many others like me, not claiming to have any profound insights here. But I am curious how other ASR users balance objectivism with a desire to continue collecting gear after reaching the measured performance endgame.