Is there a way to show side-by-side comparative analysis of multiple speakers? For example, even though they are distinctly different speakers, I would love to see these vs. the Focal Alpha 65 EVO vs. Neumann KH 80 DSP vs. Kali Audio IN-8 vs. ELAC DBR62.
I can't listen to each one first-hand, and I can't differentiate on recommendation level, aside from panthers or preference score.
The KH 80 is a little 4" monitor for desktop / mixing desk distances. I don't remember your exact listening distance, but I know it is much farther than the KH 80's intended use. You would need the KH 120 or the KH 150 with at least one sub, which would blow your budget.
Adam monitors are generally good, but I have always had problems with the narrow vertical response of the AMT tweeter. For that reason, I tend to avoid all speakers with one.
I have heard the IN-5, but not the IN-8. The IN-5 is a very good speaker if you like the coincident sound field. For your use, the IN-5 with subs would be more satisfying than the IN-8 without, but you need a way to integrate the subs, as has been previously discussed in responses to some of your other posts. There is only a 2dB max SPL difference between the two, and subs would keep the IN-5s limiter under control at reasonable SPLs at a reasonable listening distance.
I have no experience with the Focal. It is a monitor with unusually wide directivity--much more like a farfield speaker--which may suit your application.
I guess I am having trouble figuring out whether to go with powered monitors or powered speakers.
One short answer is that monitors are made for nearfield to midfield listening, whereas powered speakers are made for farfield listening. People do make monitors work in the farfield, however, assuming the use case allows for it (required SPL at listening distance). Many times these are larger monitors.
Monitors tend to have flatter in-room response, meaning less downward slope in the treble. Many or most people find that to sound bright.
Finally, many monitors prioritize directivity smoothness over directivity width, which means they interact less with the side walls and therefore create a narrower soundstage. That works well in some rooms / placements and less well in others. This makes sense, because most studio environments have substantial room treatment and/or the monitors are so far from the sidewalls, there is no first reflection in front of the listener.
I think you are on the right track withe the DBR62. It is an all-around good speaker and a great place to start.