Obviously the op is just trolling, but is there any test data to show that random Joe's actually do prefer better measuring kit over worse measuring kit (speakers excluded)
I agree, people are want to prefer all sorts of distortion, and it's perfectly valid that they do, it's not high fidelity, but so what?
I have some friends with atrocious systems, tiny little speakers pushed past the limit, valve amps like syrup, they love them and wouldnt swap them for a more neutral setup if you paid them.
IME most of the red zone DACs would be indistinguishable from the others listening to a typical music recording.Has any of you heard a RedZone DAC with green and blue zone killing potential?
Very true also. So isn't the ideal kit for that market cheap, transparent and as powerful as possible within price constraints? Anything that doesn't deliver those 3 to a substantial degree shouldn't be worth touching?Systems with choices for signal resolution, EQ, loudspeaker management, room management, preferred 'curves', room specific positionings, soundstage, etc. are too hard for other than geeky enthusiasts who forget the 'bubble' that they live in does not reflect the majority of 'HiFi' music listeners.
Real life is that the system has to fit in a room, that also has to meet the different needs of other users, and at somewhat lower budget levels than the geeks can justify.
And if the price was low then no harm, no foul. I think we all know the issue with many of the lower ranking products.IME most of the red zone DACs would be indistinguishable from the others listening to a typical music recording.
The recording itself is not likely to have a SNR which would seriously tax most in the red zone.
Unless one had a non-flat FR or eccentric reconstruction filter any difference in SQ would be vanishingly small.
Although my audio setup is quite modest by audiophile standards, it is still considerably better than what most people have. Friends who visit generally do think it sounds good. They just don't care enough to improve their own.I agree, people are want to prefer all sorts of distortion, and it's perfectly valid that they do, it's not high fidelity, but so what?
I have some friends with atrocious systems, tiny little speakers pushed past the limit, valve amps like syrup, they love them and wouldnt swap them for a more neutral setup if you paid them.
There's a lot of people that love 'vintage' sound and keep away from so-called sterile/digital/clinical sound. A member here on ASR said he subjectively preferred the Schiit Modi Multibit over the Topping E30. 2n harmonics / euphonic distortion perhaps? Nothing wrong with that.
Yeah, I recommended going tubes as well. Just wanted to share a specific type of listener who might prefer a red tier DAC over the ones that measure best.Just go vinyl + tubes, in that case.
This, to me, seems like the answer the OP needs (if it was a real question). If someone is not concerned about excellence in engineering and is willing to be honest with themselves (or do a proper blind test), then get whatever DAC looks pretty because they don’t sound different.IME most of the red zone DACs would be indistinguishable from the others listening to a typical music recording.
The recording itself is not likely to have a SNR which would seriously tax most in the red zone.
Unless one had a non-flat FR or eccentric reconstruction filter any difference in SQ would be vanishingly small.
I'm team blue. Not in my credoI may have missed this in all the speculation but has anyone done a listening test between a red zone and and a green zone DAC?
Its percentiles, so red is the bottom 25%. So the cut-off might change over time when we get even more measurements.What's redzone? Anything below 90dB?
I don't even play my speakers to 80dB, hence such levels of distortions are not even physic-ally audible.
I have a DAC at 0.1% and I felt weird listening to that. With fixes to improve it to 0.03%, the weirdness is gone.
So even among the red zone only a couple of these would have an audible sound character: