You assumed incorrectly. I'm actually in the camp you are discussing with Amir and a couple of others right now. I believe audio electronics are such a mature category that the differences between electronics designed, engineered and built with the objective of achieving the best possible fidelity to the source are insignificant. So I put my faith in companies and designers who believe in no audiophile voodoo, seek no "tonality" or house sound, and whose goals are focused on the accurate reproduction of the recording. It frees me to concentrate on transducers, recordings, listening. The most subjective stuff. I'm not so much a self-declared objectivist as anti-"high-end." The "high-end" (I find it almost impossible to type without qualifying quotation marks) world is teeming with bias and self-delusion, and the "marketing" of "high-end" is full of fraud. I approach all "audiophile" products, especially the absurdly expensive ones, with a high level of skepticism, and the ears of "high-end" hobbyists are the last thing I'd trust.
I suspect that was less than clear, so let me give you an example. In my interest in a DAC/pre, I would simply buy a Benchmark, based on their objectives, philosophy, reputation and yes, the stunning numbers to be found in independent reviews by professional, not hobbyist, publications. If there is an audible difference between the Benchmark and a Vivaldi stack, I suspect that thorough analysis would reveal it is the fault of the Vivaldi, deliberately created by the desire to appeal to audiophiles. But Benchmarks products are deliberately over-engineered and necessarily over-priced, and I believe a product could be made that would be indistinguishable from the Benchmark, even with the full feature set of their DAC/pre, at a fraction of its price. I love a bargain.
And yes, I know we disagree.
Tim