Now I'm just a bit worried about any potential problem using XLR to RCA cables(my Arcam only has RCA out). Anything to think about here?
The unit is not made for continuous power at max wattage.
uNo this is completely wrong. Class d does not get a free pass. Ultrasonic distortion is not just unheard, it's simply not reproduced. It's called putting it into context. You need to come up with a cogent argument as to why it's a problem.
Your example above is completely erroneous.
Given that the seller is in UK, getting it repaired/replaced would be quite onerous. So I can't make that decision on my own.At least run it for 5 minutes at 100W (its 'real' rated power) as a bare minimum. If it blows up or shuts-down, it's a genuinely faulty design and should be exposed as such.
Left channel might be noisier because it is the channel with the SMPS with the heatsink facing out, while the right channel has the SMPS heatsink facing in.
I don't share your harsh critic. The difference between peak power and average power in music is quite large - even on recordings suffering heavily from the loudness war there are at least 6 dB of dynamic range. This is a factor of 4 regarding power. A power amp with 100 W continuous power and 400 W peak power is not faulty but perfectly suited to the task of audio play back. It must be able to deliver the peak power for at least a few seconds, of course (not like those infamous 1000 W PMPO PC speakers with a 5 cm bass chassis which delivered 1000 W power only once in their lifetime - when being burned).And here we go again.
Hypex watts are essentially the New Millennium Versions of Peak Music Power watts of last century.
At least run it for 5 minutes at 100W (its 'real' rated power) as a bare minimum. If it blows up or shuts-down, it's a genuinely faulty design and should be exposed as such.
No this is completely wrong. Class d does not get a free pass. The switching frequency is not just unheard, it's simply not reproduced. It's called putting it into context. You need to come up with a cogent argument as to why it's a problem.
The famous NAD 2200 stereo power amp (still have 2 in stock) had just the same specs (100 W continuous, 400 W peak). There is a video at youtube where someone measures its power and he was able to get 1800 W into 4 Ohm in bridged mode:
The only thing 'famous' about the 2200 'The Powertracker' was its frequency of failure. I've lost count of the number of those I've either fixed or written off.
It was a hurried design, prone to spectacular failure. That said, when it worked, it worked quite well. It was a 100W amp that could hit silly figures for a short time, that's all. But it was sold to people as a wolf in sheep's clothing which it wasn't. People who couldn't afford a real 400+400W amp would buy them for their big JBLs and push them. They blew up often.
He has a repair source in the U.S.Given that the seller is in UK, getting it repaired/replaced would be quite onerous. So I can't make that decision on my own.
BTW, do you know a source where I can get those output relays?
Thanks. SInce I have only a copy of a copy of a copy of the schematics which is very hard to decipher, may I ask some questions:These can be used (attached pdf)
Trim R413 to suit after measuring the applied on voltage- the two relay coils are in series.
may I ask some questions:
From photo, the leads to speaker terminals on Apollon use same red color for positive and negative. Wouldn’t that invite same out of phase problem Amirm found on the Nord?Apollon NC800SL
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Nord One NC500 Amp
The choice is evident to me.
Don't forget Bob Carver's "Magnetic Field" (switching power supply) amplifiers. I think I told the story here of how my "200wpc" Carver M400t Cube amplifier (driving a pair of ADS-L810 speakers) went into thermal shutdown during a party at my house with a lot of people in the room. Poor headroom and/or reserve power, but for most people and normal listening, apparently that was not an issue. Indeed, at sites like Audioreview.com, as "vintage" amps, they still have lots of fanboys.Hypex watts are essentially the New Millennium Versions of Peak Music Power watts of last century.
And look at the superb placement of the mains wiring and chokes right up against the module itself.
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