They can handle anything you throw at them bud. Tested them with a lot of different genres.Can they handle EDM and black metal?
They can handle anything you throw at them bud. Tested them with a lot of different genres.Can they handle EDM and black metal?
I know. Mine does.Just FYI, the screw/thread of the MA1-adapter can be removed and turned around, so it fits 3 different diameters. Don't remember which exactly, but i think a documentation of the adapter can be found somewhere on the Neumann page.
If you wanted to use the K&M stand in the picture without the LH61, you could use this plate instead: https://www.k-m.de/en/products/spea...320-x-5-x-280-mm-3.582-kg?number=26792-032-56Are there any floor stands that would work well with these without requiring the LH 61 mounting adapter, cause that thing is butt ugly.
[This illustration shows a KH 120, but you get the idea.]
Listening to black metal and noise on the KH150s has been nothing short of revelatory, especially after calibration. The bass extension makes them excellent for EDM but I was not prepared for how much better they were for distortion-heavy audio.Can they handle EDM and black metal?
My understanding is that it is controlling the motion of the woofer in the KH150. I just purchased my second pair of these and am quite impressed. I have not yet felt the need to use my MA1 on them, although I might.
Hello Teashea! I'm new here and I would like to ask you how you can seriously evaluate your speakers in such a non treated reverberant room? I don't want to be offensive, just asking. I can't see any acoustic treatment in your room. It seems, that you have enough money for buying many Neumann monitors, but I'm afraid that without any reasonable treatment they never can sound as good as they are. I'm sure, that the room is number one and plays the biggest role in sound perception. And speakers are way behind. I'm thinking if to buy KH150 which are for my small room 3,6x4,7x2,7m enough with their 36Hz -6db. Or to buy new KH120 II which are way more cheaper and may be even better in midrange distortion and then add some quality subwoofer to let them breath a get more headroom. They seems great speakers except design...According to Neumann a listening distance of 1.4 meters for KH310's is fine. I think that you should listen to the Neumann audio engineers in this regard. One would thing that they know what they are talking about ---- much more than some random person commenting here.
I also have a pair of KH 120's and a pair of KH150's. All are used at close nearfield distances. I use my KH310 at 1.4 meters. They are excellent.
I think that you are overthinking the situation. Your unease is psychological - not based on actualy sound issues. Settle you mind down.
Kh150's would also be fine, as would KH120's with a KH750. But they are not going to be perceptably better than the KH310's. Just cool your jets.
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I've wondered this as well. Hard surfaces everywhere, console smack in the center of the room, no cloud or first reflection points treated... you get the idea.Hello Teashea! I'm new here and I would like to ask you how you can seriously evaluate your speakers in such a non treated reverberant room? I don't want to be offensive, just asking. I can't see any acoustic treatment in your room. It seems, that you have enough money for buying many Neumann monitors, but I'm afraid that without any reasonable treatment they never can sound as good as they are. I'm sure, that the room is number one and plays the biggest role in sound perception. And speakers are way behind. I'm thinking if to buy KH150 which are for my small room 3,6x4,7x2,7m enough with their 36Hz -6db. Or to buy new KH120 II which are way more cheaper and may be even better in midrange distortion and then add some quality subwoofer to let them breath a get more headroom. They seems great speakers except design...
Hello Teashea! I'm new here and I would like to ask you how you can seriously evaluate your speakers in such a non treated reverberant room? I don't want to be offensive, just asking. I can't see any acoustic treatment in your room. It seems, that you have enough money for buying many Neumann monitors, but I'm afraid that without any reasonable treatment they never can sound as good as they are. I'm sure, that the room is number one and plays the biggest role in sound perception. And speakers are way behind. I'm thinking if to buy KH150 which are for my small room 3,6x4,7x2,7m enough with their 36Hz -6db. Or to buy new KH120 II which are way more cheaper and may be even better in midrange distortion and then add some quality subwoofer to let them breath a get more headroom. They seems great speakers except design...
I'm always amazed to read the opinion that room treatment has to be done as a preliminary before speakers are even chosen. Seems much more in the spirit of ASR and of Floyd Toole's writings to measure first and then decide just what room treatments are needed.Hello Teashea! I'm new here and I would like to ask you how you can seriously evaluate your speakers in such a non treated reverberant room? I don't want to be offensive, just asking. I can't see any acoustic treatment in your room. It seems, that you have enough money for buying many Neumann monitors, but I'm afraid that without any reasonable treatment they never can sound as good as they are. I'm sure, that the room is number one and plays the biggest role in sound perception. And speakers are way behind. I'm thinking if to buy KH150 which are for my small room 3,6x4,7x2,7m enough with their 36Hz -6db. Or to buy new KH120 II which are way more cheaper and may be even better in midrange distortion and then add some quality subwoofer to let them breath a get more headroom. They seems great speakers except design...
Studio design is a little different from general listening - pretty much no matter what you'll put broadband velocity absorption at your first reflection points (cloud, side and rear wall... depending on design, sometimes front wall sometimes not) and also - if done right - use pressure absorption to deal with sub-transition frequency problems.I'm always amazed to read the opinion that room treatment has to be done as a preliminary before speakers are even chosen. Seems much more in the spirit of ASR and of Floyd Toole's writings to measure first and then decide just what room treatments are needed.
Some treatment is needed always. I heard many speakers in untreated rooms and they always, ALWAYS! sounded horrible. Well placed $1.000 speakers in well treated room can and mostly will soud much better than $100.000 speakers in untreated room and placed somewhere. That's all.I'm always amazed to read the opinion that room treatment has to be done as a preliminary before speakers are even chosen. Seems much more in the spirit of ASR and of Floyd Toole's writings to measure first and then decide just what room treatments are needed.
The neumann stands looking awful
Which one would you choose ?More polished software to EQ it (is my understanding).
If I were forced to choose, based only on what I’ve read on line, for my use case (domestic setting) - I believe I’d go for the Genelecs. Mainly for their seemingly more refined EQ software.