Yes, I remember exactly that.....
And just for fun. Here is a picture of the exact copy of the album I listened to “that first time”
Yes, I remember exactly that.....
When it's in the music that's different to wanting to add it to music that doesn't have it.Listen to the intro to this song, the scratches and the warmth:
Some people really like that warm analog sound
Thank you for reminding me about that album, glorious indeed. I had forgotten how great this album sounded.The previous night I'd been listening to my (ripped/streamed) CD of the YES album "90125." It really sounded glorious. It has the typical Trevor Horn production
Thank you for reminding me about that album, glorious indeed. I had forgotten how great this album sounded.
I listened to the digital file this afternoon, tomorrow I will play the record, just for fun.
I have an original Robert Ludwig mastered pressing and it is one of my best sounding LP's. Robert Ludwig does a good job in general.... he has a way with electric guitars that sounds good to me. Probably not 100% true to the master tape but it works more often than not. Hope you get a good copy and enjoy.I sheepishly admit I just ordered another vinyl copy - supposedly a very good pressing.
I have an original Robert Ludwig mastered pressing and it is one of my best sounding LP's. Robert Ludwig does a good job in general.... he has a way with electric guitars that sounds good to me. Probably not 100% true to the master tape but it works more often than not. Hope you get a good copy and enjoy.
German pressing with their precision manufacturing capabilities and quieter vinyl formulations and US mastering including access to the original master tapes (Apparently record companies would only send tape copies overseas). Supposedly the best of all vinyl worlds. I have a couple of records like that and they sound good and are nice and quiet. The sleeves are usually not so good and the label on the record is not water proof at all (I ruined one getting it wet while cleaning the record... it would have been no problem for a US record). Anyway good luck and let us know how it sounds.it's the German pressing but apparently uses the Ludwig lacquers.
German pressing with their precision manufacturing capabilities and quieter vinyl formulations and US mastering including access to the original master tapes (Apparently record companies would only send tape copies overseas). Supposedly the best of all vinyl worlds. I have a couple of records like that and they sound good and are nice and quiet. The sleeves are usually not so good and the label on the record is not water proof at all (I ruined one getting it wet while cleaning the record... it would have been no problem for a US record). Anyway good luck and let us know how it sounds.
Anything to do with Vinyl can be a rabbit hole.... the only thing you can say with certainty is that buying a used record of any kind is hit or miss.I still think of myself as something of a "newbie" compared to so many who have long experience in vinyl, even though I've been somewhat immersed over the last several years. This is why I so often purchase from discogs. The fact the various pressings often come with reviews and info on the pressings is really helpful. Occasionally I'll look at a Steve Hoffman forum thread on certain pressings, but that can be a rabbit hole. I don't fuss a lot and usually make a quick decision.
That still means 50% of people that buy vinyl can't play it ?! I guess there is more to the vinyl renaissance than sound quality or even the music and certainly more to it than I understand.One thing that popped out at me from the latest Luminate year-end report:
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Hmmm ... Well, at least people who buy vinyl are substantially more likely to be able to play it.
One thing that popped out at me from the latest Luminate year-end report:
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Hmmm ... Well, at least people who buy vinyl are substantially more likely to be able to play it.
Anything to do with Vinyl can be a rabbit hole.... the only thing you can say with certainty is that buying a used record of any kind is hit or miss.
Most used something like dishwasher, D4, a wooden handle with soft velvet pillow and some liquid that removed debris. I felt it added static. Many also had a static gun. The d4 was 10 bux and the static gun was 25 or 35? Other cheap ones, like the current audioquest one, were also around with their own liquid. Brushes with liquid for the stylus were also around.GENERAL OPEN QUESTION TO EVERYONE:
What kind of care did you take with records in the hey-day of vinyl? Or for that matter, how much care did audiophiles tend to take with their records?
The reason I ask is I feel a bit out of the loop in knowing the answer.
My dad was something of an audiophile, but not obsessive, just "read the mags, make the choice, move on." So we had a really nice system, Kef 105.2 speakers, Carver amplification, a good Techniques turntable.
But growing up, even as a teen using an excellent hi-fi system, I don't recall thinking much about the care of records. It was just buy the record...play it a hell of a lot..with I guess the expectation it will eventually sort of wear out somewhat. I think I'd maybe take a brush to the record if it got really dusty but that was about it.
These days in the "vinyl revival" there seems to be way more talk about and concern with the care of records than I every remembered growing up. The amount of youtube videos on cleaning regimes is wild, in the vinyl forums which have lots of newbies, there's lots of talk about how to store records properly, cleaning, good sleeves, general good record hygiene, care and cleaning of cartridges etc. (And of course the record cleaning business seems to be proliferating, ultra sonic cleaning machines being the new darling).
I use an ultra sonic record cleaner, something that never would have crossed my mind to bother with, even if I new they existed, during the hey-day of vinyl.
So, please, get me up to speed: Were people - or audiophiles - anywhere near as obsessive about this stuff back when records were the main medium?
Perhaps you are unfamiliar with the concept of giving a gift.That still means 50% of people that buy vinyl can't play it ?! I guess there is more to the vinyl renaissance than sound quality or even the music and certainly more to it than I understand.
It's great collection for Talk Talk fans, classic 80's style re-mixes. The sound is simply massive - huge, punchy kick drum and bass guitar, and a giant spacious presentation with synths swirling in and out all around, super clear and detailed (especially on my newly upgraded Joseph Perspective speakers!). It just kicks ass all around.
It's forI'm a member of a couple of reddit audiophile threads where people post pictures of their rigs and most of the time they include turntables and every time I see one my mind is blown because I outgrew vinyl only a few years after buying my first CD player in the '80's. Back then I had a tape deck, a turntable and a CD player but once I heard digital I knew they was no going back yet people en mass are and I find it baffling given all the benefits of youtube. The first and most obvious benefit is, it's free. Secondly, youtube has an almost endless catalog of music, with the original music video, the karaoke versions of songs, live versions and videos that include the lyrics. Thirdly, the convenience of simply clicking my mouse a few times and opening up a world of music is pretty alluring. I always wondered about the sound quality though so I bought a CD a few years ago to compare youtube to CD and couldn't hear any difference. LP's on the other hand can only be played one at a time, require time, money and effort to obtain and play and also require money and effort to maintain and as your collection of LP's grows it obviously becomes more expensive and takes up space-something youtube doesn't yet most reddit audiophiles are flocking to them
Does the vinyl renaissance make sense to you because it sure doesn't to me
That’s something I’d like to stumble across!Lot's of interesting stuff from the 80's around.
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That’s something I’d like to stumble across!