good if it is really the fact
This statement implies I made up the conversation. Or did you mean the part about them sending it to the NWAA?
good if it is really the fact
Looking at the review index, the chances of anyone sending Amir a $28,000 speaker are about zero. I read somewhere he doesn't even have commercial liability insurance. Most of the top page seem to come from Harman or Genelec. Why is that? And what doesn't he like about the Harbeth M30? They've been selling like hot cakes for 25 years, I enjoyed two pairs of Harbeth for about 6 years, I'd have them again, no problemHi-Fi magazines are now purely advertisements, subjective comments, no matter who makes them mean very little.
Send the speakers to Amir for measurement.
Keith
neither, my english word choice error, I mean if that's the case it's great that they did send for some measurement for a full set of data, and not just claiming that some "third party plots showing bad peaks and nulls is design choice which makes off axis perfect that something measuring good, this is high end"This statement implies I made up the conversation. Or did you mean the part about them sending it to the NWAA?
It's obviously (1) because, for example, the latest speaker review on the website is a Perlisten dated 5 May, which was included the April issue that was sent to subscribers in the first week of March. So if the magazine lands in your inbox or on your doormat (I don't get the paper version), I can't imagine why anyone would want to got to the website to read the same review 2 months later.Let's talk about meaning. Are you saying 1) that most subscribers never look at the magazine's respective Web presence; or 2) most subscribers who are 'like you' don't look at the Web presence (presumably because since they are 'like you' and since you don't, they must not)?
How would you even know whether the first interpretation (or claim) is the case? The second is at best a self-referential inference, possibly a tautology.
My guess (and it is only a guess) is that even if these magazine's subscribers aren't looking at their respective Web sites, the number of people who do look at it are greater than the number of people who subscribe, and therefore the comparison among the three sites is a meaningful indicator of relative influence.
I absolutely do. I have a general liability insurance for ASR with $150,000 coverage limit. I pay thousands of dollars per year in insurance for ASR. So don't spread garbage rumors like this.. I read somewhere he doesn't even have commercial liability insurance.
Because they have a reputation for following the best science in sound reproduction so members buy them and send them to me for testing. Any other wise remark that you have not thought through?Most of the top page seem to come from Harman or Genelec. Why is that?
What/who..? Maybe I'm a bit slow..It sounds like Greg Timbers.
Harman research conclusively showed that CR's speaker evaluation methodology relying on Sound Power was faulty. I am surprised people still don't know about this. See AES paper, A Multiple Regression Model For Predicting Loudspeaker Preference Using Objective Measurements: Part I-Listening Test Results, Sean E. Olive, AES FellowBoth of these hit the nail on the head. Those of you familiar with Consumer Reports and their reviews of loudspeakers may wonder why a tinge of familiarity has been tugging at you. You may remember reading the CR speaker test articles back in the days when it was very convenient to listen to speakers locally. Their rankings based on their "accuracy" scores caused lots of head scratching among myself and my friends who were into audio. The most pleasing aspects of many of their "accurate" speakers were the fancy latticework grilles; certainly not how they reproduced music.
I don't know where you get that from. The top listing in there is Revel F328Be which lists for $8,000 each. A pair of these will be $16,000. So clearly pricey speakers that were purchased new and sent me to for testing en route to the member.Looking at the review index, the chances of anyone sending Amir a $28,000 speaker are about zero.
Thx. I know very well who GT is. Owned several of his speakers..@retro
Greg Timbers is an Ex-JBL Engineer, responsible for the Everest, Studio 5XX series, and many more lines of speakers from JBL.
https://positive-feedback.com/interviews/greg-timbers-jbl/
Generally focused more on dynamics in his designs than wide off-axis dispersion... Hence the horns and big woofers. Instead of the microscopic midranges and tweeters Revel uses.
In the interview linked, he mentions that dynamics, to him, are essential to achieve a lifelike reproduction of sound.
Sincerely,
A JBL Horn fanboy
Well, I'll play armchair psychologist here and say that I've seen a lot of mock outrage or general animous towards very expensive things. I understand the championing of "best value" and "bang for buck" components and Amir have done an awesome job with that here with a variety of products (starting with the chinese DACs). Especially for those entering to hobby, it's a great resource.Easy, because most >$25k speakers are sold on illusions and would definitely have much to lose with objective data.
Its that data which supposedly already exists and which we should see. In any event, I find it hard to believe that no measurements exist which could be shared.
Just to be clear, of course, I have measurements we used to develop the speaker with but they are not perfect and so I'll be using lab measurements for publishing.Again, they are RELEASING a $30k speaker and AFTER setting up proper measures. This is not conspiracy.
Its as if a drug company starts selling a new drug and then initiates the clinical trials. Or tells you to trust them because they won’t share the trial data.
I know audio is not drugs, but you still expect some rational product development.
By the way, if PS formally commits to providing the speaker, I’ll pitch in some $$.
Well, I'll play armchair psychologist here and say that I've seen a lot of mock outrage or general animous towards very expensive things.
The Porsche‘s are quite loud … not good for your (HF) hearing ;-)Well, I'll play armchair psychologist here and say that I've seen a lot of mock outrage or general animous towards very expensive things. I understand the championing of "best value" and "bang for buck" components and Amir have done an awesome job with that here with a variety of products (starting with the chinese DACs). Especially for those entering to hobby, it's a great resource.
But why the hate about something that you will likely never be in the market for or even try to experience? I think that it is at least in part, sour grapes, as the Aesop fable goes. Because they are out of reach, they must be sour.
I have been reading about the phenomenon of "hate watching". Why do people repeatedly watch something they dislike so they can belittle and ridicule it? One thought is that they are channeling and releasing negativity from other parts of life (bad mood, insecurities, other things).
That being said, there are some "sham" audiophile products that give other more legitimate attempts at the high-end designs and you'll see some straw man arguments about these in more legitimate discussions about other stuff.
It's also not all about certain kinds of performance for everyone. There is a level of functional art in products and reasons why someone might lust after porche or ferrari instead of a tesla or corvette that might be better in some performance metrics. Even though I will never own any of those (and drive an inexpensive SUV), I enjoy the fact that they exists and seeing what new supercar someone comes out with. The same thing goes for a D'Agostino amplifier for me.
I understand that you're passionate about this hobby and promoting the things that you believe in and trying to root out what's better than this or that but it seems like you choose to spend a lot of time on the PS user forum and here "hate watching" and I don't really get it.
You are completely outside of my reality!Well, I'll play armchair psychologist here and say that I've seen a lot of mock outrage or general animous towards very expensive things. I understand the championing of "best value" and "bang for buck" components and Amir have done an awesome job with that here with a variety of products (starting with the chinese DACs). Especially for those entering to hobby, it's a great resource.
But why the hate about something that you will likely never be in the market for or even try to experience? I think that it is at least in part, sour grapes, as the Aesop fable goes. Because they are out of reach, they must be sour.
I have been reading about the phenomenon of "hate watching". Why do people repeatedly watch something they dislike so they can belittle and ridicule it? One thought is that they are channeling and releasing negativity from other parts of life (bad mood, insecurities, other things).
That being said, there are some "sham" audiophile products that give other more legitimate attempts at the high-end designs and you'll see some straw man arguments about these in more legitimate discussions about other stuff.
It's also not all about certain kinds of performance for everyone. There is a level of functional art in products and reasons why someone might lust after porche or ferrari instead of a tesla or corvette that might be better in some performance metrics. Even though I will never own any of those (and drive an inexpensive SUV), I enjoy the fact that they exists and seeing what new supercar someone comes out with. The same thing goes for a D'Agostino amplifier for me.
I understand that you're passionate about this hobby and promoting the things that you believe in and trying to root out what's better than this or that but it seems like you choose to spend a lot of time on the PS user forum and here "hate watching" and I don't really get it.