The good news is that your story stayed the same!
consider youself lucky.Maybe Zu Audio is the present day Cervin-Vega (whose speakers I know only by reputation).
I've told it a number of times where I thought it relevant.Uhm, Kal, I hate to tell you, but you already shared the same story in this thread.
Well, that's good news it is not due to a memory failure.The good news is that your story stayed the same!
Yes, something of a tradition with Zu speakers.
Something of an anti-Harman approach to product design. I wonder how a pair of them would fare in Harman speaker comparisons? By the measured info they would be rated even lower than Ray's M-L's.
Here are JA's comments on another Zu model than the one above.
In many ways, the Zu Essence is an underachiever, measurement-wise. But the surprise for me, when I auditioned it in AD's room, was how much of its measured misbehavior was not too audible, other than the rolled-off highs and the lack of impact in the lower midrange. I suspect that Zu's designer has carefully balanced the individual aspects of the Essence's design so that the musical result is greater than the sum of its often disappointingly-measuring parts.—John Atkinson
Read more at http://www.stereophile.com/content/zu-essence-loudspeaker-measurements#LSrEJhzYFqVF4q75.99
Yet if you look at the measurements, they would suggest exactly what he described. Lacking highs, weak lower midrange, etc etc.
You can also see some suspect results of yet a third Zu speaker here.
http://www.soundstagenetwork.com/measurements/zucable_druid/
And another person's take on their unusual design choices.
http://noaudiophile.com/Zu/
Quite a ways down this page you can download recordings of the George Thorogood mentioned playing over these speakers, and one of a better speaker for comparison.
How do you come up with the idea to use a bass guitar speaker for hi fi?Yes, something of a tradition with Zu speakers.
Something of an anti-Harman approach to product design. I wonder how a pair of them would fare in Harman speaker comparisons? By the measured info they would be rated even lower than Ray's M-L's.
Here are JA's comments on another Zu model than the one above.
In many ways, the Zu Essence is an underachiever, measurement-wise. But the surprise for me, when I auditioned it in AD's room, was how much of its measured misbehavior was not too audible, other than the rolled-off highs and the lack of impact in the lower midrange. I suspect that Zu's designer has carefully balanced the individual aspects of the Essence's design so that the musical result is greater than the sum of its often disappointingly-measuring parts.—John Atkinson
Read more at http://www.stereophile.com/content/zu-essence-loudspeaker-measurements#LSrEJhzYFqVF4q75.99
Yet if you look at the measurements, they would suggest exactly what he described. Lacking highs, weak lower midrange, etc etc.
You can also see some suspect results of yet a third Zu speaker here.
http://www.soundstagenetwork.com/measurements/zucable_druid/
And another person's take on their unusual design choices.
http://noaudiophile.com/Zu/
Quite a ways down this page you can download recordings of the George Thorogood mentioned playing over these speakers, and one of a better speaker for comparison.
Devore Audio is a clone Dynaco A25 in a nicer box for large money. Zu speakers are based on guitar amp speakers with no bass.I really don't understand why anyone would own a pair, amongst my least favourites I would include Devore and Audio Note UK, any number of horn loudspeakers ,and I like horns , Zu comfortably holding the top spot though.
Keith
Harley Davidson mechanics should not even be motorcycle mechanics.Welcome to the wonderful world of Zu. The company that answers the question "Should Harley Davidson mechanics start their own speaker company?"
The answer of course is "Oh, hell no."
NoAudioPhile nailed it years ago.
http://noaudiophile.com/Zu/
Btw, isn't a "whizzer cone" just another name for a kazoo?
Steve Guttenburg likes everything.Zu's are the favourite speakers of Steve Guttenberg...
I don't know about the '80s, but in the '70s the Zenith Allegro loudspeakers (bundled with all in one or quasi-component stereos of fair to middlin' quality, actually) used a smattering of different Foster (Fostex) tweeters of generally pretty good quality.I finally found the ideal comparison, after hearing my first pair of ZU speakers, through an acquaintance.....
They sound for MOST intents very like a Zenith Allegro MC3000 Speaker from the 1980s!!!
I mean VERY similar. I see WHY some like them, but not very accurate or easy to listen to for any long periods.
The Zenith runs a 10" woofer, with NO low pass crossover, and after time, the upper end of it grates on your ears. They are also quite efficient, but partially through the large amount of mid and upper mid break up.
In other words, LOUD< but in a "Semi bad" way, how a mid cost P.A. Speaker can be quite loud, but not great fidelity.
Yeah, the old Dynaco A25s were like that. Pleasant to listen to, if not real resolving.I don't know about the '80s, but in the '70s the Zenith Allegro loudspeakers (bundled with all in one or quasi-component stereos of fair to middlin' quality, actually) used a smattering of different Foster (Fostex) tweeters of generally pretty good quality.
Nothin' wrong with allowin' a woofer to (ahem) free range, as long as it was designed to do so (or, at least, not aggressively designed not to do so, as such drivers are nowadays).
Winslow Burhoe did this, famously and quite effectively, starting in the early 1970s with his EPI/Epicure loudspeakers.
Very pleasant indeed.Yeah, the old Dynaco A25s were like that. Pleasant to listen to, if not real resolving.