So we know they measure terribly, yet this room of folks appears to enjoy them. Have heard them? What do you think?
And the source is vinyl so….I've heard them, medium sized floorstanders to the very large, at their best they are not terrible, but they are not worth thinking about if great sound is your priority.
I bet the prospective buyers have never heard a BIIIIG sound before, apart from a live gig's PA rig. Stick on your powerful D'Agostino amp, whack up the volume and blow them away.Because they don't want a flat IR response, they think money talks, they like a good story.
$340000 ones have been measured by Stereophile but unfortuately only in roomI haven't seen detailed measurements of any of the big Wilson models.
I can tell you lots of speakers like this as this kind of dry hit is one of my vices.Wilsons do one thing very well - the bass is really punchy. And I mean it seems to hit you in the chest - you can actually feel it.
I haven't figured out how they do it. The published FR's don't look anything special. If anybody knows, I am all ears.
Yep... if you want to get this effect with "lesser" speakers, just boost everything from 3-10khz by about 2.5dB, more if you're feeling spicy.At the time they seemed to get everything you could out of a recording - more than other speakers that I had heard until then. That said, they could often be too analytical with pop music (most likely just high frequency boost).
I don't think that's the case, I mean I would run for my life every time I listened to those if highs were hot as you describe.Detail retrieval. It's been many years since I listened to a rather wealthy friend's system of Watt Puppy's and Krell electronics - everything you were supposed to spend big money on during the 90s. This system didn't sound spectacular all the time, but there were times when it paired great with the recording and it really did shine. At the time they seemed to get everything you could out of a recording - more than other speakers that I had heard until then. That said, they could often be too analytical with pop music (most likely just high frequency boost). I remember to this day how they made my new favorite U2 CD sound like #@$^ because you could hear every flaw that the engineer never thought you would at home.