There are a few reasons I see:
1) Years of conditioning of "Audiophiles" that studio equipment is "cold", "sterile", "lifeless".
2) Most systems use RCA, not XLR. It is only in the last few years we are starting to see a lot of components come with true differential balanced connectors.
3) You still get over 100 db sn ratios from RCA connectors which far exceeds most audiophile components.
4) The noise issues in studio components are more important due to them 1) operating in noisier electrical environments, 2) longer runs, and 3) the long component chains from the initial recording from the mics to the final mix, which may result in the signal going through dozens of devices. Each device degrades the sounds slightly, so the more you can prevent this, the better the final mix. In a home environment, you are going through only a few devices. This is also the reason that is makes sense to do all mixing at a 24bit depth, but for the final product distribute in a 16 bit format.
5) Most "Audiophiles" aren't really concerned about taking a systematic approach to improving the sound they hear. They want the mystic and magic of tweaks here and there and the "changes" that component swapping give to tune the system. Buying good equipment, speakers that work for the room, measuring and using DSP, and treating the room as needed is comparatively boring. If you work in pro sound your goal is different, you want a reliable, repeatable systems. Time spent tweaking and changing things out is money lost.