Studios tend to use self-powered monitors these days, so those really are speaker outputs.I also find it strange that pre-outs are called speaker outputs. This is not a power amp!
A question for the recording engineers in the room: is SPL/Phonitor gear found in many control rooms? I see it is sold through the pro channels, but how likely is it to be found in the wild?
Who would be the usual suspects in real world pro use - Benchmark, Mackie, MOTU?
Curious. What are the following controls do?
I also find it strange that pre-outs are called speaker outputs. This is not a power amp!
- Crosspeed
- Angle
- Laterality
So how is the crossfeed implementation on this? That's really the killer feature.
I've seen these at shows, but never had enough time to play around with the settings and get a handle on it.
I would agree to a degree. For people who like owning more stuff it's also nice to play with separates, it's part of the hobby for some.I'd like to point out that the SINAD of 99db easily passes the threshold of CD fidelity and exceeds the dynamic range of any actual recording in existence.
I'd much rather have features I can use (crossfeed, input switching, DAC and amp in one box) and style I can see (this thing looks way nicer than almost any other product) than performance improvements you literally cannot hear.
I'm not saying this thing is a great deal or anything, for the money it should offer better performance...but let's not lose sight of how great the feature set and industrial design are. Give me this over some pathetic 'stack' any day of the week.
We need more features in one box.
Except that Amir Specifically said that distortion was audible with a difficult load.I'd like to point out that the SINAD of 99db easily passes the threshold of CD fidelity and exceeds the dynamic range of any actual recording in existence.
I'd much rather have features I can use (crossfeed, input switching, DAC and amp in one box) and style I can see (this thing looks way nicer than almost any other product) than performance improvements you literally cannot hear.
I'm not saying this thing is a great deal or anything, for the money it should offer better performance...but let's not lose sight of how great the feature set and industrial design are. Give me this over some pathetic 'stack' any day of the week.
We need more features in one box.
Right, the headphone amp distortion is not acceptable at this price point. But with easy to drive headphones it would be fine.Except that Amir Specifically said that distortion was audible with a difficult load.
Not for very easy to drive headphones though due to the high noise level.But with easy to drive headphones it would be fine.
Unfortunately, I think there is a fundamental problem with the crossfeed. The original unit I sent had significant crosstalk:
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I find it odd that the crosstalk is so poor when they have controls to add even more. I discussed this with SPL support and they stated the measured crosstalk is normal and as expected. I pointed out that they should want state of the art crosstalk measurements if they were then going to implement a system to add crosstalk / crossfeed back into the signal. They never responded to that query.
Martin
If you mix in the box you need a monitor controller, which SPL has various models. If you mix with an outboard mixer you will use the board’s headphone outputs. This is an audiophile product.My recollections of working in other people's rooms are out of date now, but no one used HPs other than for signal check and click tracks, and they were plugged into generic 600ohm busses. I remember other SPL hardware in some places - seemed satisfactory.
These days in my own rooms I use Benchmarks - I use a lot of their stuff and it's easy to add to the order.
It's not great technical performance for the price, but, that level of crosstalk is inaudible outside of intentionally pathological test setups. It's not anywhere near the amount amount of crosstalk that crossfeed intentionally introduces either which is often only a few dB of separation beneath the chosen corner frequency.
Do you normally use crossfeed or have you experimented with other implementations?
The noise is... not great, but it certainly isn't bad. 97ish dB or so THD+N is not broken, it's just not state of the art. Is it worth $3000? Absolutely not. But it's not broken.
Also, -60dB crosstalk is completely inaudible. Give it a try yourself, take any audio track you want, split it into dual mono, and reduce the level of one side by 60 dB. Do it with headphones. I guarantee you aren't going to be able to hear that.