Doesn't have to be (and certainly isn't advertised to be) mch only.Most mch mixes have no (or very little) dialog L&R. It's all down to the center. Missing vocal fundamentals are a problem.
Doesn't have to be (and certainly isn't advertised to be) mch only.Most mch mixes have no (or very little) dialog L&R. It's all down to the center. Missing vocal fundamentals are a problem.
But the lack of bass in this tiny speaker, will make the sub OR left/right speakers have to go all the way up to about 200-250 hz to be FLAT response wise, and you will be able to locate where the sound is coming from for sure.You're forgetting this is intended (as per Revel's specific description) to be used with L&R full-range speakers, not only with a sub.
WRT your last statement, that is also incorrect: If there are frequencies within the sub's desired range, it doesn't matter what the "thing" is making the sound - a voice, a canon, thunder; it is all omnidirectional and not located as coming "from" the subwoofer.
Full range L/R speakers cannot solve the deficiencies of poor center channel speaker. If you redirect upper bass frequencies from the center to L/R, you'll still have the same problem of actors' voices being separated from the screen when they were intended to be coming from the screen.You're forgetting this is intended (as per Revel's specific description) to be used with L&R full-range speakers, not only with a sub.
Anything above about 100 Hz is not going to be omnidirectional. That is precisely why you don't want your subwoofer playing above that level. And if the sound engineer wants to give the sound (a voice, a cannon, thunder) a direction, he or she will include higher frequencies (above 100 Hz) to go with that sound and will place them in the desired channel (L, R, C, SL, SR, etc.)WRT your last statement, that is also incorrect: If there are frequencies within the sub's desired range, it doesn't matter what the "thing" is making the sound - a voice, a canon, thunder; it is all omnidirectional and not located as coming "from" the subwoofer.
Certainly. The L/R are closer to full range. Actually Revel's matching L/R pair to go with this center are 100-20k.But the lack of bass in this tiny speaker, will make the sub OR left/right speakers have to go all the way up to about 200-250 hz to be FLAT response wise, and you will be able to locate where the sound is coming from for sure.
Anything much over 100-120hz is easily located. The onmidirectional thing only applies to lower bass sounds.
It is not.
The purpose of a center channel speaker is to reproduce human voices FULLY, so that the subwoofer doesn't have to. You don't want actors' voices coming from your subwoofer. You want actor's voices anchored to the TV screen.
I guess Revel is incapable of comprehending the intricacies of speakers and this application. Good thing there are so many better speaker companies.Full range L/R speakers cannot solve the deficiencies of poor center channel speaker. If you redirect upper bass frequencies from the center to L/R, you'll still have the same problem of actors' voices being separated from the screen when they were intended to be coming from the screen.
Anything above about 100 Hz is not going to be omnidirectional. That is precisely why you don't want your subwoofer playing above that level. And if the sound engineer wants to give the sound (a voice, a cannon, thunder) a direction, he or she will include higher frequencies (above 100 Hz) to go with that sound and will place them in the desired channel (L, R, C, SL, SR, etc.)
That was precisely my point. Ideally, you'd want your center speaker to comfortably cover frequencies down to about 80 Hz.A subwoofer works at most 100Hz. What human voice is there at that frequency?
It’s a very small speaker, why would we want to compare it to a “full-blown” speaker. At least it has better polar response among the others tested so far.…these probably fit more of a Marie Kondo lifestyle choice rather than the whole full-blown HT.
Oh, I'm sure they comprehend it just fine. They've intentionally designed a speaker to fit in tight spaces, knowing very well that it's going to be a huge compromise. Most of our home theater systems are full of compromises. Gotta pick your battles.I guess Revel is incapable of comprehending the intricacies of speakers and this application. Good thing there are so many better speaker companies.
You didn’t answer the question.That was precisely my point. Ideally, you'd want your center speaker to comfortably cover frequencies down to about 80 Hz.
One must judge a speaker by it's intended use. ((YOU SAID THAT BY THE WAY))It’s a very small speaker, why would we want to compare it to a “full-blown” speaker. At least it has better polar response among the others tested so far.
If you put the crossover at 100Hz you will have a big hole in the response between 100Hz and 200Hz.A subwoofer works at most 100Hz. What human voice is there at that frequency?
I do 100Hz LR 48dB/oct and I wouldn’t say it’s locatable but it still muddies the sound stage. LR 24 dB/oct is locatable once the speakers are turned off.But the lack of bass in this tiny speaker, will make the sub OR left/right speakers have to go all the way up to about 200-250 hz to be FLAT response wise, and you will be able to locate where the sound is coming from for sure.
Anything much over 100-120hz is easily located. The onmidirectional thing only applies to lower bass sounds.
There must be something I miss in the discussion and praise of this center speaker. To me it seems clearly designed at a time when a center speaker was considered as a nice to have afterthought in an existing stereo system, placed below the TV... To me and many others who have a proper HT setup, LCR should ideally be identical speakers even if we sometimes have to make small compromises from that.Since we know what the response is:
Mounting on a wall as intended in combination with the high pass filtering might not result in the elevated levels for a similar design without the HP filter. Since these are on-wall designs, these probably fit more of a Marie Kondo lifestyle choice rather than the whole full-blown HT.
Buy better imaging and full range mains and throw out the centre.
The centre speaker has always been, and still is, a horrible compromise unless you have identical L,C,R mains in line and an acoustically transparent screen.
This speaker has a dreadful response. I reckon you'd be better off with a 1960s paper full range w/whizzer cone for a centre.
When mounted to a wall I guess the FR must be flat to 150Hz. It’s already -5dB at 150Hz. On small speakers it’s normal to use a higher crossover frequency for subwoofers, if you use 150Hz then the expected -3dB point is 150Hz. It’s already at -5dB. Don’t you think wall mounting will not give you the required 2dB?One must judge a speaker by it's intended use. ((YOU SAID THAT BY THE WAY))
It is a CENTER speaker. It can not reproduce many voices well....Nor mate with most subwoofers.....
It does not work great at all for a center, due to total lack of bass.
You are making excuses for this, but bashed other brands. Why not make excuses for them also??
This is after all a $500.00 speaker in 2008 dollars.
At least be consistent and call a spade a spade!
It was answered by another poster earlier in the thread:You didn’t answer the question.
There’s always something to compromise when you limit the height of the centre speaker. You can’t have your cake and eat it when you place limits to the system design.My point was that with this speaker you are going to have to set the crossover much higher than 100 Hz, thus allowing the subwoofer to draw too much attention to itself.
If you put the crossover at 100Hz you will have a big hole in the response between 100Hz and 200Hz.
Maybe, but 150 Hz is still fairly high. In my set up for video, anything over about 110 Hz starts to sound semi crappy.When mounted to a wall I guess the FR must be flat to 150Hz. It’s already -5dB at 150Hz. On small speakers it’s normal to use a higher crossover frequency for subwoofers, if you use 150Hz then the expected -3dB point is 150Hz. It’s already at -5dB. Don’t you think wall mounting will not give you the required 2dB?
Why should what appears to be sound quality ratings in absolute terms consider such design compromises? If so, then should we include different categories of design before we make any judgements? Should we do the same with subwoofers? Below 10kg, 10-50kg, 50kg+? And speakers? So quality given size and price constraints? I would be perfectly fine with that but it would be a different kind of rating... This center is not in the same league quality wise as any of the centers I've had (even cheap ones) or currently have in my HT, so I would not call it "Fine" or "Great" without moderating that heavily as a lifestyle product for those who use it with their TV and have no ambitions for a proper HT setup.There’s always something to compromise when you limit the height of the centre speaker. You can’t have your cake and eat it when you place limits to the system design.
This is not a no-compromise speaker. However, in my book C10 offers the right compromise. You just have to use a higher crossover frequency for the subwoofer. I’m happy that @amirm agrees.