I also commented on the possibility of the tweeters being out of phase, but then, I barely look on Audioholics which many of you people seem to know. The review aluded to there - and Amirm's comments, indicate the performance of this speaker is deliberate and intentional for it's given lowly market, where they're likely to be set either too low or rather to high on the wall, in which case they're not so bad. As with the *original* Harbeth M30 recently tested here, there is a back story as to why they do what they do which was rendered irrelevant as time (and the BBC itself) moved on to Dynaudio and Genelec for the most part I gather and, as a result of this, this design broke free of the BBC shackles, was more 'normalised' in balance and began to fly more universally. Polk isn't so well known in the UK, but I wonder if larger more expensive models they do wouldn't test rather better? I always remember old ads for them I saw, showed a youngish man in white lab coat fussing round them, so maybe they've always tried to present a more 'techie' image your side of the pond?
I must ask please, why the predilection for so many beer-budget boxes? Is this what people are buying en masse these days (there's barely a market left in the UK for this stuff unless it's recently discontinued old models sold via our 'Richer Sounds' chain - Diamond 220's which 'sound' basically very nice sold for £99 or so - half original price I think).
Too far for outsiders to send stuff, but I hope Amirm can get hold of more expensive speakers to test out as time moves on.