I auditioned the Paradigm 3Fs. I knew nothing about them when the dealer teed them up. I was listening to a recording I know well of Brahms Sonatas, pplayed by Kim Kashkashian on Viola (btw, my wife is a violist, so I hear it live all the time, in my listening room). For the first few seconds I was intrigued by all the detail I was hearing, but concerned about the thinness of the piano. Then I thought, these may have an exaggerated high end. Then I thought ACK! I would go crazy with listening fatigue if I had to use these every night.
Then I looked at the Stereophile tests and saw the massively tipped up high end and thought AH-HA! I wasn't imagining that part.
The dealer insisted that all they needed was to be matched with an enormously expensive tube amp that he happneed to have, plus the right set of mega-buck cables. When I showed him the test results he continued to argue that they were "not bright". And he continued by email later.
As an aside, every dealer I met during my spring auditioning crapped on my amplifier (1990s Adcom GFA-5802, a high-power, high bias Nelson Pass design). So this whole experience reminded me why I hadn't done any serious hi-fi shopping until my Thiels broke again.
1) I really liked the Adcom-Thiel (3.6) combination for two decades, and just enjoyed listening to music and finding good recordings.
2) Dealers can't seem to help themselves. Who needs to be condescended to, especially by people who can't even acknowledge consistent measurement AND listening results?
If anyone cares, I ended up with Harbeth SHL5+. They were actually the only thing I listened to that compared positively to the Thiels(I auditioned a lot of stuff, but all under $14k/pair). That was a shock. Second place was Wilson Sabrinas. But a fairly distant and more expensive second. String timbres seem so right to me on the Harbeths. I suspect the answer lurks somewhere in the large, but never-reported speaker distortion measurements, but maybe it's in my head. Either way, I get to enjoy it every night.
(btw, has anyone noticed that the "expert" dealer listening rooms are often far from ideal? Lyric in NYC has the Sabrinas against a brick wall, so live-end/live-end. Isn't that a no-no?)
And the old Adcom works great with them. My only issue with it is the amount of heat it generates in my new NYC apartment, in summer. The Harbeths don't need the massive power reserves like the Thiels, so I'm contemplating getting one of the new cool-running designs (Benchmark, Emotiva, ELAC, parasound) and running my own little amplifier comparison. Or if anyone wants to bring one over and do the comparison for fun.....
Sorry, got OT. I just think you should be very careful with Paradigms. You might not be happy with that frequency profile long term.
Then I looked at the Stereophile tests and saw the massively tipped up high end and thought AH-HA! I wasn't imagining that part.
The dealer insisted that all they needed was to be matched with an enormously expensive tube amp that he happneed to have, plus the right set of mega-buck cables. When I showed him the test results he continued to argue that they were "not bright". And he continued by email later.
As an aside, every dealer I met during my spring auditioning crapped on my amplifier (1990s Adcom GFA-5802, a high-power, high bias Nelson Pass design). So this whole experience reminded me why I hadn't done any serious hi-fi shopping until my Thiels broke again.
1) I really liked the Adcom-Thiel (3.6) combination for two decades, and just enjoyed listening to music and finding good recordings.
2) Dealers can't seem to help themselves. Who needs to be condescended to, especially by people who can't even acknowledge consistent measurement AND listening results?
If anyone cares, I ended up with Harbeth SHL5+. They were actually the only thing I listened to that compared positively to the Thiels(I auditioned a lot of stuff, but all under $14k/pair). That was a shock. Second place was Wilson Sabrinas. But a fairly distant and more expensive second. String timbres seem so right to me on the Harbeths. I suspect the answer lurks somewhere in the large, but never-reported speaker distortion measurements, but maybe it's in my head. Either way, I get to enjoy it every night.
(btw, has anyone noticed that the "expert" dealer listening rooms are often far from ideal? Lyric in NYC has the Sabrinas against a brick wall, so live-end/live-end. Isn't that a no-no?)
And the old Adcom works great with them. My only issue with it is the amount of heat it generates in my new NYC apartment, in summer. The Harbeths don't need the massive power reserves like the Thiels, so I'm contemplating getting one of the new cool-running designs (Benchmark, Emotiva, ELAC, parasound) and running my own little amplifier comparison. Or if anyone wants to bring one over and do the comparison for fun.....
Sorry, got OT. I just think you should be very careful with Paradigms. You might not be happy with that frequency profile long term.