LOL. I wouldn't dare pronounce on the relative merits of the number of oud/lute soundholes. All else being equal I would imagine it is the total surface area that matters most. But no doubt relative size and placement has an effect. Traditionally, lute rosettes were carved directly into the top plate which means one slip of the knife and the whole top is blown. It seems more common to see ouds without rosettes but that's cheating! Three soundholes means three times the risk and three times the price ... ;-)I think the next frontier in this kind of study is the different patterns of sound hole that @bluefuzz has to choose from for my new oudOne or three? Oval or round?