When you make distortion measurements there are a huge number of variables in the set-up which dramatically influence the results. If everything is kept constant, useful comparisons can be made, but this is not the case between different people at different times. Here are some things which can completely change the measurements:
- Drive level of speaker
- Distance from microphone to DUT
- Sensitivity of microphone
- Amount of gain from mic preamp
- Type of distortion measurement being made - continuous vs. stepped sine
- Use of different or no protection capacitors on HF sources
- Intrinsic distortion of microphone - mics that don't contribute distortion at high SPL are $$
- Presence or absence of room effects
Distortion measurements are used by designers to analyze trends in drivers to see if a certain application is straining them. They are not reliable for comparison between different units measured at different times by different people. I don't even think Amir's distortion measurements can be reliably compared, unless he settles on a method which keeps all these things constant.
I'd encourage people discussing distortion to take a quick look at this thread:
https://www.audiosciencereview.com/...ds/speaker-equivalent-sinad-discussion.10818/
Which has a good discussion on why THD is not a meaningful factor in sound quality. Toole's quote sums it up well:
"In loudspeakers it is fortunate that distortion is something that normally
does not become obvious until devices are driven close to or into some limiting
condition. In large-venue professional devices, this is a situation that can occur
frequently. In the general population of consumer loudspeakers, it has been very
rare for distortion to be identifi ed as a factor in the overall subjective ratings.
This is not because distortion is not there or is not measurable, but it is low
enough that it is not an obvious factor in judgments of sound quality at normal
foreground listening levels."
I would add that even in 'large-venue professional devices' THD does not correlate to sound quality unless, as he mentions, things are going seriously wrong.