ambd
Member
Hi,
This is my second post in ASR. I appreciate the effort of the community being objective. So, I will try to be as objective as I can be. I may fail though.
I would like to buy a class D amplifier to for my stereo system and I need help deciding among the different options: Purifi, NC502, NC500X, Nilai, etc.
Currently, my stereo is a MacBook feeding (with Audirvana) to Mini DSP Flex (via USB). Mini DSP Flex sends high pass with some PEQ to Fosi V3, and also sends open signal to a Rythmik L12 subwoofer. Fosi feeds main speakers, NHT C3 (85db, 6ohm).
My listening room is around 230 sq ft, and my listening position is 10 feet from speakers. I mostly listen around 70-75 db with peaks of 80-85db, this is measured with a sound level meter at my listening position. So, considering listening position distance from speakers, I do not need a lot of watts for my type of listening, but I would appreciate some headroom in watts for peaks.
On a subjective side, the NHT C3 are bright, but that can be tamed with some PEQ (suggested by Amir on his review). More on a subjective, personal, level, I listen to a lot of jazz, country, soul, indie rock, folk, progressive rock, among other more obscure musical genres.
Now, I am looking at the many Purifi stereo offerings from respected manufacturers (such as Boxem, Buckeye, VTV, Audiophonics, March Audio, etc) but I am wondering if with my setup I would be able to even to listen to the difference between a Nilai, a Purifi or a NC502 based amplifier. I know the former has a much better Sinad. Somehow, the ability to change op amps in some of the Purifi amplifiers (Audiophonics, VTV, Apollon, March Audio) is something that interest me, but on the other side the discrete components of the Nilai is very intriguing.
Surely, enough, as much as this is an objective forum, and I respect that. I would also welcome some subjective listening experiences from owners of any of these amplifiers.
And if the question arises, I am only upgrading from the Fosi because I would like to listen to this new, supposedly much better, generation of Class D amplifiers.
Any help, ideas, comments, thoughts, numbers and calculations, are highly appreciated.
Thanks!
Alan B
This is my second post in ASR. I appreciate the effort of the community being objective. So, I will try to be as objective as I can be. I may fail though.
I would like to buy a class D amplifier to for my stereo system and I need help deciding among the different options: Purifi, NC502, NC500X, Nilai, etc.
Currently, my stereo is a MacBook feeding (with Audirvana) to Mini DSP Flex (via USB). Mini DSP Flex sends high pass with some PEQ to Fosi V3, and also sends open signal to a Rythmik L12 subwoofer. Fosi feeds main speakers, NHT C3 (85db, 6ohm).
My listening room is around 230 sq ft, and my listening position is 10 feet from speakers. I mostly listen around 70-75 db with peaks of 80-85db, this is measured with a sound level meter at my listening position. So, considering listening position distance from speakers, I do not need a lot of watts for my type of listening, but I would appreciate some headroom in watts for peaks.
On a subjective side, the NHT C3 are bright, but that can be tamed with some PEQ (suggested by Amir on his review). More on a subjective, personal, level, I listen to a lot of jazz, country, soul, indie rock, folk, progressive rock, among other more obscure musical genres.
Now, I am looking at the many Purifi stereo offerings from respected manufacturers (such as Boxem, Buckeye, VTV, Audiophonics, March Audio, etc) but I am wondering if with my setup I would be able to even to listen to the difference between a Nilai, a Purifi or a NC502 based amplifier. I know the former has a much better Sinad. Somehow, the ability to change op amps in some of the Purifi amplifiers (Audiophonics, VTV, Apollon, March Audio) is something that interest me, but on the other side the discrete components of the Nilai is very intriguing.
Surely, enough, as much as this is an objective forum, and I respect that. I would also welcome some subjective listening experiences from owners of any of these amplifiers.
And if the question arises, I am only upgrading from the Fosi because I would like to listen to this new, supposedly much better, generation of Class D amplifiers.
Any help, ideas, comments, thoughts, numbers and calculations, are highly appreciated.
Thanks!
Alan B
Last edited: