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What is going on here seems to be a 6 dB filter for the tweeter at 4 kHz and a 7inch woofer with a 12 dB filter, that has to work way above the point of beaming. Including an enclosure, which seem to ring and rattle a bit (so a German online magazine states: I haven't heard the speaker yet)....Again with that compliance issue around 1KHz and truly wacky frequency response. What on earth is going on there?
Eerily similar pir to the books, it's like they tried to perfect mediocre....
They could easily do that. Most speaker manufacturers could but sometimes they a/don't want to take sales away from higher lines in their portfolio or b/ they deliberately voice speakers on what they believe target audiences want in that price range. Then there is the other problem, Dynaudio use decent drivers but probably economise too much in other areas, including cabinets.How hard is it for a company like Dynaudio to produce something that is reasonably 2023 textbook?
From what I have read that era is long gone, thankfully, most are nowadays of higher electrical order. By the way even at the times their crossovers were of first electrical order the total slopes of the drivers and crossovers (which had also many additional correction elements) which in the end is what counts (like for example if you want to claim optimal phase addition) were never really first order, such are very rare on decent loudspeakers as they would have too high drawbacks.Dynaudio has this weird fascination with first order tweeter slopes. I haven't the foggiest why, but here we are.
Bom bom matey, bom bomFrom what I have read that era is long gone, thankfully, most are nowadays of higher electrical order. By the way even at the times their crossovers were of first electrical order the total slopes of the drivers and crossovers (which had also many additional correction elements) which in the end is what counts (like for example if you want to claim optimal phase addition) were never really first order, such are very rare on decent loudspeakers as they would have too high drawbacks.
2nd order to midrange and 4th order to woofers
They don't as they just use them for the tweeter (and only in some models), by the B&W also currently does so in the last years, see exemplary their current flagship:They don't seem to boast about 1st order in some other models
Well, this is the Emit 30...From what I have read that era is long gone, thankfully, most are nowadays of higher electrical order. By the way even at the times their crossovers were of first electrical order the total slopes of the drivers and crossovers (which had also many additional correction elements) which in the end is what counts (like for example if you want to claim optimal phase addition) were never really first order, such are very rare on decent loudspeakers as they would have too high drawbacks.
i'm a semi - noob at audio theory, what this tells me is that nulls and peaks are created by improper integration?..Well, this is the Emit 30...
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So, in other words, what's going on with this screwy upper presence to treble region is the drivers interfering with one another, the woofers playing entirely too high (they're only 12dB down at 7k!), and the tweeter with significant energy down quite low (12dB down at 900hz!)
Some of them are, yes. Shallow crossover slopes mean the drivers play more in the ranges of one another.i'm a semi - noob at audio theory, what this tells me is that nulls and peaks are created by improper integration?..